Chunky leaves in curved friendly shapes with graphic triangular blooms. Say hi to Beanstalk! This is a leaf/vine quilt made with Painted Meadow fabrics. The selection of fabrics and instructions use fat quarters for the leaf and bloom prints. The green stems and background are indicated as yardage.
I wanted some growing, garden themed quilts. Beanstalk and my Picket quilts were a direct reflection of the desire to marry plants and quilts.
Beanstalk has chunky, curved leaves made with 4" radius quarter circles (8" full circle size) that make the gentle sides of the leaf shapes, meeting half square triangles to finish off the leaves. You can play with the leaves by putting all dark colors to the bottom for a more shaded look or doing scrappy piecing with color and light/dark values.
The Beanstalk pattern comes with a paper template to make the curved blocks. However, I made the blocks for this sample using the Creative Grids Circle Savvy Ruler and I recommend it! Cutting circles with a ruler like this makes them so accurate and easy to sew together. I also have a number of Drunkards Path and quarter circle rulers in different sizes and one of the reasons I like this Creative Grids one is that it has ALL the sizes I use in one ruler! I can design with it, try different sizes with it, and translate a pattern for applique vs piecing with it too (different sizes minus the seam allowance).
When I started the plans for this quilt, I thought I would make it in only green shades for the leaves. But then I mocked it up with the teal and red shades and loved the graduation amongst the color families. It reminds me of fall and changing leaf colors. I think the reds add a lively touch!
Because I try different blocks to figure out my sizing, I usually make a variety of sample blocks. It seems like such a shame to waste these so I try to incorporate them into the backs of my quilts when I can. For this Beanstalk quilt, I used leaves that were too big and too small and a larger bloom as a pieced block in the center of my backing.
This quilt was longarm quilted by Marion Bott and the pantograph is a Sand dollar design. I love the pretty flower shape and the orange peel structure of this design. It makes such a lovely texture on the quilt!
I'm trying to decide what Beanstalk quilt will be next- one from Thatched basics? One with grays and muted colors? I'm not sure but I'm looking forward to planting a new Beanstalk! Visit my shop for this pattern and more that are made with the Painted Meadow collection from Moda Fabrics (shipping October 2019 to quilt shops). Happy sewing!
When I saw the Kinship Fusion Sampler created by Gnome Angel and Skyberries I knew I wanted to try it in Thatched fabric, my new basics line coming out with Moda Fabrics (shipping in November 2019). I was wanting a color-play exercise that used a limited palette and a select group of the fabrics. I like this line for fillers and backgrounds, but they deserve to hold their own in a quilt sew-along!
I love the modern feel of many of the blocks, playing with geometry in often asymmetrical layouts. I thought the woven illustration of Thatched would work well to add just a little depth to the blocks.
I actually jumped in about a week into the sew-along, which is typical for me. I WANTED to do the sew-along but I get distracted and think I don't have time to add ANOTHER project. But then I see people posting on instagram and I can't stand it anymore and jump in late.
My original plan was to make the quilt in mostly grays and white with a tiny pop of color. Maybe just the heart block in orange? I selected three grays from Thatched to use- the Gray 85, Pebble 24 and Shadow 117, giving me a light to dark range of grays. There are actually 5 grays in this first release of Thatched but I wanted to keep it simple. I've never made a black and white quilt before or a black, white and gray one, so this was a new exercise in restraint.
fBut I guess at heart I am really a COLOR GIRL and I needed more than just one pop of color! I loved the idea of just orange with the quilt, but the addition of greens to the mix felt so much more appealing and fun. I really like how the combination of Chartreuse 75, Sprig 14, Peacock 77 and Turquoise 101 play together. It was a tough call to decide if I should add the dark green Pine 44 to the mix but I left it at the original four greens.
For the oranges I used Tangerine 82 and Apricot 103. Again, tempted to add more with Maize gold but I pared it back. Every time I use the oranges it feels like a jolt of orange juice waking me up!
Usually I keep the color story of greens or oranges within a block but once in awhile, one escapes and jumps in another color block! Quilt block 29 is an example of that with it's little orange square. And block 82 with one orange corner to liven up the group! (And yes, sometimes I go out of order and make some of the later squares in advance if I have the right pieces cut)
When I got to day 25, I layed out what I had on the floor to get a feeling for them all together. For the planning of this sampler, I used the coloring sheet that Gnome Angel has on her blog at https://www.gnomeangel.com/100days100blocks2019-colouring-sheet/. It was tremendously helpful in planning and playing around with the colors. You need to purchase the pattern to get the coloring sheets and I am not posting my colored in one since that would be a violation of the pattern copyright.
Yes, my helper was involved and let me know she was bored of this whole thing.
There is one thing I wanted to mention about this particular pattern for a sampler. I really appreciate that the sizes of the blocks you cut are very consistent so it is efficient with fabric and makes it easy to precut pieces. For example, a lot of pieces might be 2 1/2" wide so you knew that by cutting that size strip, it would be utilized for a lot of smaller pieces. I could go through and count out how many pieces I would need at certain sizes or how many flying geese were needed at the same size and then make them in bulk. This really cuts down on time and makes it enjoyable to move through the blocks faster and with more efficiency and economy. I thought it was a very smartly planned out sampler that way!
I have been loving the blocks I've been seeing on instagram from other people sewing along. I particularly love seeing some of the fussy cutting and cute fabrics. It is a different feeling to do a sampler with a limited palette and limited fabrics and I like the new muscle that is flexing in my mind to explore the contrast and color relationships. I like how clean and modern this feels to me. But I can't lie, a part of me wants to just throw one of my big flowers into one of these blocks!
I'm guessing the next time I share these blocks on the blog I'll be done or at least close to done. Follow me on instagram to see more progress with the Thatched blocks at @robinpickens. Follow along to see all the great blocks on instagram with the hashtag #kinshipfusionsampler or #100blocks100days2019 and thank you Angie @gnomeangel and Bec @skyberries for a great sewalong! (Also, I am dying over Bec's blocks made with Heather Ross fabrics- fantastic!!)
I like to pair bigger prints with some solids for balance. But does that mean all solids are flat? Calm and rest for the eye can still have subtleties of design and texture. There is something so enjoyable in a little tonal and linear variation that brings interest and depth, like the character of a hand drawn line. It is in this drawn texture that I think of threads coming together to create "Thatched."
Thatched was hatched (ha, ha!) a number of collections ago, as a coordinate for Dear Mum. The little woven drawn lines became a texture print in gray, warm red, green and the Robin's egg blue. It blended so well it wove its way into the next collection, and the next.
Now Thatched is ready to claim its place as a basics line and make its OWN color statement. Colors have been added to round out the palette to include browns, blues, oranges, burgundy and Berry. 30 prints of luscious colors.
Perhaps you keep Thatched as a subtle texture print to balance out your larger prints and be a background fabric or blender. Or you may decide to play with the combinations and relationships of color families and groupings in color studies with saturated splendor.
Let your world of color mix with the texture of drawn line, the feeling of linear weaving. We are, after all, makers. We have interwoven lives and notice the small textures and details that make life richer.
Lean in and notice the detail. Rejoice in the imperfections. Drink in the saturated colors.
At my conference table (the kitchen table!) the ring of color commands presence in the space, singing out a rainbow of song.
Enjoy the blues of Navy, Marine, Sky and Royal. Dark to go with denim. Light to brighten like the sky. Blues blend into greens and teal shades. Moody, pretty blues. Grays that are warm and cool, speckled and subtle. Reds that are deep and dramatic or bright and cheery (and yes, the Crimson and Pine of Splendid are in the basics).
Drawn line in color tones with the character and heart of handmade texture.
The ring of color is almost luminous under the light as night time falls. I will clear it tomorrow. For tonight I will sleep with rainbow dreams...
Hop on over to youtube to see Jennifer from Shabby Fabrics do a tutorial of a festive Christmas Tree Farm Table Runner!
She used a pattern that Moda Fabrics had and allowed her to share. The trees are red and green on one side and white on the other- a fun reverse effect of background vs foreground. Of course I'm really thrilled with this particular table runner since she's showing it in Splendid fabric!!
Along with the Splendid collection there are pops of red and gold star bursts in Grunge fabric as well as with white and star bursts on the background white. I loved seeing how these trees came together in two sides with the strips!
If you are interested in Tree Farm Table Runner kits, Shabby Fabrics has a few available at their store! The download link for the free Gina Martin pattern (17.5 x 51.5") offered through Shabby Fabrics website is https://www.shabbyfabrics.com/Assets/Downloads/TreeFarmTableRunner_forDownload.pdf
Happy holiday sewing!
A quick catch-up on some Moda Blockheads2 blocks. I have learned so much while doing these blocks! I tried triangle paper for the first time (and liked it!) and I stretched myself with smaller piecing on some of these than I normally do. With every sewalong I do I feel my skills become better. I start to think more efficiently when I look at instructions and question if I can make more of the blocks in a different way (like making Half Square Triangles in the 8-at-a-time method).
This first one is Sherri McConnell's block "Vintage" and I used a bunch of scraps I had from earlier blocks from my Dear Mum collection. I am pretty pleased with how this one came out. I don't have that much experience doing Quarter Square Triangles so this was good practice!
This was the alternative block designed by Corey Yoder called Rainbow Vine. Mine is not a rainbow but does have a variety of green leaves. I liked how quickly this fun block came together. Now I think I need to make sure the block above in my arrangement has a design that suggests a flower bloom!
The next block is a larger 18" one and is designed by Betsy Chutchian. Feels good to get this one completed and I really like this pattern! I used #poppymaefabric and #blushingpeonies . After making a big 18” block like this I needed to do a small one next!
And last one to share today is this block designed by Corey Yoder. Its called Dainty Blossom and is an alternate for the Block 48 which was originally designed in applique. This is so cheery! 12 inch block with a big blooming presence!
I just may be seeing my blockheads blocks wrapping up here! Time for arranging and joining!
I know its a journey and not a race. But I feel like I can see the finish line. But I'm not there yet. One step at a time...that's how progress happens. These are the things I tell myself when I'm nearing the end and need that extra push!
So a few more blocks here. Above its the Scrappy Checkerboard designed by Cory Yoder. Below its Ribbon Star by Lynne Hagmeier. I'm trying to take stock of what I have and what I need from a perspective of color and size. I saw a great layout on instagram that Susan @quiltingcousin did and I liked the organization of blocks in the overall quilt. I've decided to model my quilt after this layout too.
But first, finishing the blocks. I'm not done yet. But I'm keeping up the effort and I WILL FINISH! As I roll closer to the finish line I've done Fidget Spinner by Lynne Hagmeier and Bella Spinners by Me & My Sister Designs. Also Around the Corner by Carrie Nelson and On Point Star by Stacy Iest Hsu. Sew on!!!
My Christmas quilts featuring my Splendid fabric came back from the longarmer, Marion Bott in Las Vegas (she's @bottmarion on Instagram). Oh I love the textures that get added to the quilts when they have the quilting done! I just want to lightly stroke each quilt and feel the patterns of the sewing.
I'm excited that Splendid is in shops now so you can all work on projects with these too! My next step is to put the bindings on and also make pillow backs and add zippers to the pillow cases (or should I leave them as envelope backs?)
Here is the Showering Stars Table Runner as I'm sewing the binding on. I like the linear pantograph of the quilting. The direction of the lines balances out the long format of the runner and strong patchwork lines of the star trails by going the other direction (horizontally vs vertically).
At the time that I was designing these patterns I had to pick out the binding fabric without having the actual made-up quilt in front of me. That is always a challenge for me- deciding binding recommendations so early in the process (but if it goes in a sales catalog I have to do it early). For most of the quilts in this group I wanted the bindings more subtle and just a complimenting Christmas color, so if the quilt is red, I'm doing a simple green. And in the case of Cardinal's Christmas Wreath, I felt so many prints were on the right and left side borders that a solid or almost-solid was called for.
But when it came to Jubilant Song I had picked the striped fabric for binding and boy, do I love it! Now I wish I had picked a striped binding for Joy and Delight. But my green strips are cut and they are attached to the front, awaiting the hand sewing to the back. I am not going to rip off a whole quilt's binding at this point. But note to future-self, be bold with the stripes!!
I recently posted some scrap bags of Splendid fabric in my online shop. There is a limited quantity so when they are gone, they're gone. And I'll be getting a few quilt kits of Joy and Delight up soon too! But for today, a-binding-we-will-sew!
I, like most quilters/makers, have a number of projects in the works at the same time. Yup. Because they all look so wonderful! I did decide to join in the Bowtie Flower sewalong that Elizabeth Chappell of Quilter's Candy is hosting on instagram. When I saw her quilt on the pattern cover, I knew I wanted to try it with Painted Meadow!
To be honest, in order to join a sewalong right now, I need to feel its something that won't take me hours and hours of long work. I want some projects that are doable and I can get to the finish line. I looked over the pattern and realized that it would fit in to my schedule and I could set up time to do all the cutting, all the HST, all the trimming, etc. Add in chain piecing and I'm there! Plus, I have to admit that sometimes I get bogged down in making my own patterns so it is a breath of fresh air to make quilts from patterns created by other designers.
For my white I am using Moda Bella Solids White Bleached 98. The pincushion is from Wooly Felted Wonders. Isn't it cute?
After deciding which prints I wanted to use (and yes, I mocked it up in the computer using the coloring page that Elizabeth provided- very helpful!) I got to work cutting. I decided to make my Half Square Triangles using an 8-at-a-time method. So my squares I cut for HST were actually 10" to make 8 HSTs. The exceptions were the blocks with bees in them. I fussy cut those so my bees would be center stage in the triangle shape.
I recently bought myself a Martelli turn table and cutting mat. Wow! It is a dream to use. I really enjoy having good tools and look forward to treating myself for a birthday or if I meet a goal I've set.
Next up were the stitch and flip blocks.
When making the stitch and flip blocks, I like to sew an extra seam in the part I am cutting off to make additional Half Square Triangles to use for something else. They are small and cute and I'm not sure what I'm going to make with them yet. I'll trim them up when watching tv some night. I'm thinking of doing a little mini wall quilt with them.
Stacks of blocks are now pressed and ready to go!
I hope you are playing along too. Check out quilters_candy on instagram and hashtag #bowtieflowerquilt and #bowtieflowerqal to see what others are doing!
Can you imagine a meadow with hearty, deeply colorful blooms like the red and pink sunset colors across the sky? This is what I thought of while I visited my mother last summer and we walked through the gardens. The coneflowers were in full bloom in the warm summer sun with their plump centers drawing in the bees and butterflies.
I love the proportions of coneflowers and those big full cones, full of nectar, and colorful petals that hang down with a lovely curve in warm red, fuscia and rich sunset shades. The flowers seem as if they are always looking up to the sky in anticipation of the happy sun or as a welcome for the bumblebees.
The beautiful shape of the coneflower inspired this collection and I couldn’t resist adding in those bumblebees- so plump and fuzzy, just like the flower centers! The fabric group also includes little drawings that show the coneflowers and bees in sweet illustrations or dancing within paisley shapes. Watercolor textures, sprigs of plants and sketchy oval dots compliment the lively group.
Painted Meadow has 4 colorways of cream, pinks, green and teal. It is available in precuts of Layer Cakes, Charm Packs, Jelly Rolls, Fat Quarter Bundles and Mini Charms. It was shown at the Kansas City, MO Quilt Market 2019 with Moda Fabrics and will be shipping to quilt shops in October, 2019.
Enjoy the sunset colors of Painted Meadow with coneflowers and the buzzing of plump bees as you feel the warm summer sun…
I wanted to create a smaller version of Showering Stars that could be used in home decor for pillows and table decoration. Scaling the stars and trails down to half size made it possible to design with these elements for my Splendid collection in Christmas pillow covers and a table runner.
I find I do most of my holiday decorating with red and the red textured background in Splendid is rich and vibrant. I love it! The whites are the cream texture which has a subtle sheen when you see the white on cream background. Simple patchwork blocks and a few longer strips make the trails and patchwork and flying geese make the stars.
I like playing with the mix of scale by having the double stars pillow and the giant star pillow with a much bigger star. The pattern includes directions for making a simple envelope back for covers and its sized for a nice substantial 26" square Eurosham size.
The table runner is sized 16 1/4" x 71". If you wanted a shorter runner you could crop off the trails on the ends or even just use the center stars with trails (making it 32-36 inches long, depending on if you include the last white blocks on the trails).
One thing that was really touching to find out about my original Showering Stars pattern was that numerous people have made it up in patriotic colors for Quilts of Valor. I love this idea! I've also mocked up these pillow covers and runner into red, white and blues to give some additonal inspiration for those that want to explore a more patriotic theme! I'll share those on the next post!
Check out my three other new patterns that use Splendid on my store at shopify and lets get sewing for Christmas!
Designer of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter.
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