Sometimes I just like to sew. You know, the hum of the machine. The forward motion and progress. Adding piece after piece in a rythmic order and just getting into my zen place of calm at seeing rows of color and pattern coming together. KYOTO STEPS takes me to this zen place.
This quilt is easy to make- a logical cutting scheme and straight sewing- but still has a richness of activity and proportions. It is designed to allow some large prints to have a bigger block (yes, my common theme to show off my large florals) that are more centrally located. Then think of the other blocks as steps that skip and hop away from the center in light and dark.
I just love the quilting on this one. I want to rub my hands over it and feel the texture of those fans! Marion Bott (@bottmarion on IG) did a fantastic job with adding the perfect layer of textural dimension to this quilt. The fabric here is from my Painted Meadow collection (shipping October 2019) and I made sure some of my fat bumble bees made it into the large blocks. I also put the large pink print with big Coneflowers on the back of the quilt so there would be lots of drama and excitement when you turned it over.
I must admit I really don't like making quilt backs. And I REALLY don't like trying to match a print on a seam when making a back. I'd much rather add a panel down the middle so I don't have to see an unmatched print and use some extra pieces of fabric I have. In this case I made another row of rectangles from leftovers from the quilt top and ran it down the center. I think its stays in the style and spirit of the quilt front and gives a fun interest to the back.
Kyoto Steps looks serene in these teal and green colors. This is a scaled down version of the quilt with slightly smaller rectangles. This lap version still gives plenty of room for a big print to shine while playing with those rhythmic rectangles. Sally Corona (@coronaquiltworks on IG) quilted this one in fabulous hexies. Quite a perfect shape with this chair!
For this quilt I chose a Moda Bella Solid for the backing- I believe it is Pistachio. I wanted to keep it serene and calm but with a pop of color! I like the way the painted lines coordinate print in the Painted Meadow collection make a good binding with subtle stripes of teal, green, deep red or saturated pink color families.
KYOTO STEPS is written for three sizes- Lap 58" x 67", Twin 74" x 89", and Full/Queen 97" x 93". The placement of the rectangles is diagrammed out to make it easy to replicate this spacing of blocks. The quilt is made with 6 half-yard cuts plus background if you are making the Twin, mostly 1/3 yard cuts for the Lap (but get 1/2 yard if your main print is directional like mine is) and a mix of 2/3 and 3/4 cuts for the Full/Queen (also adding background yardage to the Lap and Full/Queen).
If you want to make this in a scrappier way, you can use mixes of Fat Quarters for your pieces. If you are using a Layer Cake, the scaled down size of the Lap will work for those 10" pieces. This quilt is suitable for more beginning quilters.
You can find KYOTO STEPS along with other patterns from the Painted Meadow release at my shop and the patterns are shipping to local quilt shops with the fabric collections!
The original inspiration for this quilt was a caned back to a chair I saw at a yard sale. I thought it would be fun to replicate that woven look with center octagons in fabric. As I was laying it out, the design was becoming a bit too busy and challenging. It needed simplification so the lines did not compete with the prints on the fabrics and so I wouldn't tear my hair out! My happy ending place was this center part of Picket, with white triangle corners meeting each other, suggesting the continuation of line and an almost mosaic-like feel.
As I was playing with the shapes, I loved how the triangles played together and with some of my diagrams, the flying geese ends started to make their own statement. By lengthening the strips, they suggested picket fence posts (but not too long to be overly literal). The pop of white against a colorful border gave that additional chance to set the mood with color.
Picket is designed to be made with either a layer cake (or any mix of fun scrappy 10" blocks of fabric) OR with fat quarters. I like using the fat quarters to get a good mix of fabrics but still have repeating prints and to select my fabrics to tell a color story. The two lap quilts here have color themes of pink/coral/red and blue/green/teal. They have such a different feeling based on the warmth or coolness of the fabric colors.
For the layer cake version of Picket, I auditioned quite a few colors for the border and centers of the X blocks but I kept coming back to this Moda Bella Solids Spray color. There is something so fresh about it and I loved how it popped with the teals and greens and reds.
The quilt is made up of Snowball and X blocks, set on point. It's really pretty fast to make once you get in the groove of the blocks. I make up all the Xs, all the snowballs, then play with arranging them. Then at the end, I get to enjoy my colorful garden all surrounded by my picket fence.
I'm so happy to have had a lot of helpers on these! The large quilt was pieced by Susan Vaughan @thefeltedpear and was longarmed by Marion Bott @bottmarion. The lap quilts were pieced by Danica Willig @danicawilligdesigns and longarmed by Sally Corona @coronaquiltworks.
Check out more patterns made with Painted Meadow (and yes, Painted Meadow is shipping to shops in October 2019 from MODA FABRICS!) at my shop!
Chunky leaves in curved friendly shapes with graphic triangular blooms. Say hi to Beanstalk! This is a leaf/vine quilt made with Painted Meadow fabrics. The selection of fabrics and instructions use fat quarters for the leaf and bloom prints. The green stems and background are indicated as yardage.
I wanted some growing, garden themed quilts. Beanstalk and my Picket quilts were a direct reflection of the desire to marry plants and quilts.
Beanstalk has chunky, curved leaves made with 4" radius quarter circles (8" full circle size) that make the gentle sides of the leaf shapes, meeting half square triangles to finish off the leaves. You can play with the leaves by putting all dark colors to the bottom for a more shaded look or doing scrappy piecing with color and light/dark values.
The Beanstalk pattern comes with a paper template to make the curved blocks. However, I made the blocks for this sample using the Creative Grids Circle Savvy Ruler and I recommend it! Cutting circles with a ruler like this makes them so accurate and easy to sew together. I also have a number of Drunkards Path and quarter circle rulers in different sizes and one of the reasons I like this Creative Grids one is that it has ALL the sizes I use in one ruler! I can design with it, try different sizes with it, and translate a pattern for applique vs piecing with it too (different sizes minus the seam allowance).
When I started the plans for this quilt, I thought I would make it in only green shades for the leaves. But then I mocked it up with the teal and red shades and loved the graduation amongst the color families. It reminds me of fall and changing leaf colors. I think the reds add a lively touch!
Because I try different blocks to figure out my sizing, I usually make a variety of sample blocks. It seems like such a shame to waste these so I try to incorporate them into the backs of my quilts when I can. For this Beanstalk quilt, I used leaves that were too big and too small and a larger bloom as a pieced block in the center of my backing.
This quilt was longarm quilted by Marion Bott and the pantograph is a Sand dollar design. I love the pretty flower shape and the orange peel structure of this design. It makes such a lovely texture on the quilt!
I'm trying to decide what Beanstalk quilt will be next- one from Thatched basics? One with grays and muted colors? I'm not sure but I'm looking forward to planting a new Beanstalk! Visit my shop for this pattern and more that are made with the Painted Meadow collection from Moda Fabrics (shipping October 2019 to quilt shops). Happy sewing!
There is something so focused and calming about the symmetry of a design that radiates from the center. The Faceted quilt is formed off a central diamond, radiating out in rows of light and dark. But one of the things I love about it is the unexpected play of smaller triangles within the larger rows.
I imagine the way light glints through cut crystal or diamonds. That was my inspiration for this quilt, the way light dances within geometric facets and angles. It scatters out triangular light patterns in pretty lacy patterns.
Sweet Pea & Lily fabrics fell nicely into two groups to create the light and dark rows. Every so often and accent color adds an additional pop of color or pattern. I liked the play of purples and grays in the overall quilt and decided to use green as my accent within the quilt.
The pattern uses Fat Quarters for the prints. Moda kitted Faceted so be sure to check with your local quilt shop if you are interested in making it in this fabric combination. The kit gives you some extra fat quarters so you have room to play plus leftovers for other projects.
Enjoy a diamond today and the light facets within! The larger size of half square triangle blocks makes this quilt go together relatively quickly. The Faceted pattern is available in local quilt shops and in both printed or digital pdf at my shopify shop.
Want to see more patterns using Sweet Pea & Lily? Check out more of my quilt patterns that released with this line on my blog or at shopify! Happy sewing!
Designer of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter.
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