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Good morning! Another day of Moda Blockheads and today we have Bellissimo Star from Joanna Figueroa of Fig Tree and Co.  It is another 18" block this week. Ribbon and arrow ends, pinwheels, Xs with fancy ends...or the star in a diamond on the right of the middle row. Emphasize the horizontal/vertical plus or make it all about the middle star that pops out in the middle bottom row. The last one feels like a graphic flower with fancy pollen center and dark markings on the petals. This block definitely transforms into so many different types of images.  Black and white to help envision any palette!  And with lines to help "see" the pieces within the shapes. My two layouts with Bellissimo Star added:   I'm deep in designing a new collection this week so I'm keeping it short and sweet for now! Happy sewing everyone!  
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Happy week 6 of Moda Blockheads! This is an especially fun week for me since it is MY block this week AND I am sharing my SETTING PLAN for my quilt. Just a couple quick things about me, in case you are new to Moda Blockheads or new to me: 1. I try to do a weekly "color study" for the new blocks and I play with color and light and dark placement to see how those factors influence how the final block looks. I post them each week on my blog and in the facebook group and on my instagram account. 2. I've been designing fabric for Moda, going on 10 years! I started working with them after winning the Fabric8 competition on spoonflower.com, which Moda sponsored. It has been a wonderful experience working with them and I am happy to design floral inspired lines and have basics collections of Thatched and Dotty Thatched too. 3. I design quilt patterns and a lot of my patterns span a modern-to-transitional feel. I am a very spacial/visual learner so I try to diagram my patterns a lot with visuals. 4. A common question I get is about what computer program I use to create my color studies. I use Adobe Illustrator. I have EQ8 but am most comfortable on Illustrator so that is what I always go back to. So let's get on to this week's block!  MOONBEAM. Can you see the arrows of light as they shoot off into space? Whether you see this as a moon or flower, I think the directionality of the corners and potential for layered light in the center nine-patch offer lots of interesting elements to play with. I love the simplicity of stitch and flip corners and each of the four snowball units use those. If you struggle with getting those to be even, have no fears here, since this block does not require the angled corners on those snowballs to match other seams precisely. If they did, sometimes using a little glue to hold pieces in place is helpful to getting accurate snowball corners. For those instances I put the glue on the two pieces facing right sides together, on the part I will be cutting off , just a little bit away from the seam I am sewing.  Color studies for Moonbeam. The last one feels the most moon-like to me with glowing white against a dark inky sky. My other experiments feel like flowers, plaid explosions, double sided arrows or arrows that change direction and now point IN vs OUT. This block can be busy and complex or simplified down to mostly arrows, like the middle one shows. After all this experimenting with color studies...I still went with a sewn block that is most like the first one. Here is the color study done in black and white, without the color influence:  When working in color, I did not see how much the white corners stood out until I saw it in black and white. It is very helpful to take photos of your pieces when you lay them out and then make the photo black and white to see what your contrast levels are. And with the dividing lines of the actual block construction:  The quilt block pattern for this block as well as the past week's blocks are on the Moda blog at: https://my.modafabrics.com/inspiration-resources/blockheads-6-archive Sewn blocks in my two color palettes: Popsicle and Snuggly. Keep reading to see the full plan I have for these blocks and how I will be laying them out. If you want previous information about these two palettes, I've posted about them at the start of the sew along at www.robinpickens.com/blog/moda-blockheads-6-begins  Here is the block done for both the Popsicle and Snuggle palettes.  I wanted to share my layout idea for my quilt. There are a few sizes for this sew along. I decided to make the biggest block the center, focus on next largest as four corners, and surround those corners with smaller blocks. By adding additional half square triangle units I am making a giant star-like or X block.  I also wanted cohesive color groupings within the quadrants so I focused families of warm or cool in corners for Popsicle. For Snuggly palette I separated pinks or browns.  In order to differentiate between an area of color that is the quilt setting and the colors that will have a quilt block in them, I shaded down the block areas with white. The full color areas are the quilt setting additional pieces I am creating.   Each side will have star points created from half square triangles. I'm making 4 1/2" finished HST so starting with 5 1/2" squares, trimming to 5" and then assembling into the bigger triangle edges. The bigger blocks face each othr to make the overall star points for the quilt body layout.  The background cutting to get these side pieces requires 26" of fabric. I'd get 7/8ths of a yard to have some room for error. Or you may have lots of extra background fabric already from the blocks you are making and will not need to supplement as much extra fabric. From background material, you will need (8) 9 1/2" x 5" rectangles, (8) 5" x 5" squares and (12) 5 1/2" x 5 1/2" squares. You will also need a total of (6) 5 1/2" squares each of A/B/C and D/E/F to make the half square triangles. I've used different combinations on my color quadrant sides so I am using a variety of colors to make up my A/B/C and D/E/F squares.  I've used a simple two-at-a-time construction for making my HST, with a line diagonally, corner to corner and sewing 1/4" to each side of the line. I press to dark side and trim to 5". Then I assemble my rows or columns as shown below:  This is what my sewn sides look like in Snuggly and Popsicle:     This 27 1/2" x 14" block will be the center of the four sides of the quilt top. I also have rectangles and squares of colors that run up to the star points. A quilt block will be in that smaller square area within the side of color bands. For the color bands, cut 14" x 9 1/2" rectangles in colors that match with your star HST ends. You will also need either (2) 5" x 5" squares or (1) 9 1/2" x 5" rectangle per side to be at the base of the quilt block from the sew along. Because my colors are split into quadrants, I'm mixing those colors in to the blocks that go in those spaces to continue the color split.  I hope this makes sense! You can simplify by using all one palette. I just decided to switch it up a little and do multiple color groupings, because more color is something I usually like! The other twist for me is mixing regular Thatched and Dotty Thatched. Same colors but there is a lot of interest to me in having that subtle change of dots or no dots, sort of like another layer of depth and texture. The Snuggle palette looks like there might be some dotty in those mocked up spaces but that quilt will be all regular Thatched. I think it will be interesting to see how much difference there is between the two quilts when they are all done. Here is a peek of how my layout looks with the blocks we have done so far.   And here are the groups of sewn blocks so far!! Many thanks to Melina for working on these. Otherwise I'd still be doing some catch-up!   Please feel free to pop back over here to see any new blog posts or color studies. I also have a facebook group "Robin Pickens Sew Happy Community" where we will be doing a little sewing together in July of my Bar Hop quilt pattern. And you can find me on Pinterest, instagram as @RobinPickens or on my youtube channel youtube.com/c/robinpickens. Thanks for sewing along and being a part of this wonderful Moda Blockheads experience! Robin  Week 5 of Moda Blockheads6 with Dew Drops from Chelsi Stratton of Sherri & Chelsi. So many options with this block! I hope these color studies help you see your way to stitching fun!  Red X in the middle? Bowties to the outer corners? Emphasize the star points or the overall X shape? Number 7 becomes a propeller. Number 8 makes a lovely shape with the cat-ear sides on point. The last row splits the color bands diagonally to make woven ribbons of color. I don't know which is my favorite this week but I am pretty partial to numbers 8 and 12.  Black and white and with the lines below. This week, with all the pieces, the lines can really make a difference in making sense of these color studies. As always, if you want to be inspired to try one of these, you may need to cut more pieces or differently than the directions tell you. But there are so many ways to experiment and play with the shapes and colors this week! Thanks Chelsi!  Sewn blocks...Melina has been busy sewing away on these. Thank you Melina! With this block, nesting seams works well for lining up quarter-square-triangles. And with the stitch and flip on three sides of the X for the center, it is important to have the angles lined up well. If you feel the pieces are difficult to keep straight for the stitch and flip, then try a little glue on the part you will be cutting off to hold them steady when sewing those seams.  These were Snuggly Palette!  And with the Dotty Thatched they are for the Popsicle Palette. Thought that little accent pop of green was fun and lively.   Next week is my block and I'll be sharing my idea for how I am doing the setting for this quilt. I'm so excited to show you my plans and color layouts. Till then...happy sewing!
Let's do a little COLOR PLAY on a past quilt pattern and see what it would look like in another collection or in other color families. This month I am revisiting BAR HOP since it is the quilt we are doing for sewing along together in my facebook group "Robin Pickens Sew Happy Community" in July 2025. I am going to try to sew along with this one too!  I designed Bar Hop to go with my Wild Blossoms collection for Moda Fabrics. The ombre, selvage to selvage width-of-fabric print of wildflowers is featured in long panels within the quilt body. These are layered with little bars of the fabric group, cut from Charm Packs or a Layer Cake. There are two sizes of the quilt, an 87" x 84" Queen size and a 51 1/2" x 50" Lap size.  I've done mockups of other ideas on the lap size since that also includes a border that surrounds the quilt body and it is a nice sized project to do for a sew along. With Wild Blossoms I used Thatched Cream or Navy for my backgrounds. I liked how both of these backgrounds really let all my colors shine. For the border of the quilt, when using the ombre print I flip the print upside down to join end-to-end with the piece next to it. This allows the color ramp to continue smoothly.  I also designed this quilt so you can drop in a lovely focal print that you love instead of the ombre width-of-fabric print. Above I have the Queen Anne's Lace for a border print with 2 Fat Quarters of fabrics alternating in the horizontal interior bands. The blue version uses Blue Bonnet flowers on dark background in the borders and light background in the bands for a very cohesive look. Since SUPERBLOOM is a sister wildflower group to Wild Blossoms, I thought it would be fun to look at some with a Charm Pack of that group in the vertical bars.  The mason jar makeshift vases is a Wild Blossoms print and I liked the delicate illustrative look for the borders combined with the same print for the horizontal bands OR the Superbloom pastel ombre wildflowers print for the bands. Below I use Thatched in Early Dawn light pink for my background with the main floral print of poppies from Superbloom. A charm pack of Superbloom makes all the vertical blocks. I've got the poppies on pink on the top one. The bottom one has the poppies on navy for the border and a combination of pink and navy for the horizontal bands.  And here is Thatched Cinnamon as the background with the poppies on navy. I love how warm and rich this version looks. Just as a side note, I only have a small swatch of the big poppy print in the computer program (I use Adobe Illustrator) so the actual poppy fabric has more variation and color background showing.  How about another collection? This is my WINTERLY line to create seasonal holiday quilts. Christmas Amaryllis lilies create my outer border, either on cream or soft black. The horizontal interior bands use the Triangle Trees print which just happens to use a nice even 2 rows of triangles in the finished size. I've made the small rectangles in red and silver for the top one and in white for the bottom. It is nice to think about those as sparkly white pieces against a dark background. These little elements "dance" around the quilt and can be fun in one color or a scrappy mix of prints.  These two quilts below use the Triangle Trees fully for interior and exterior border. However, in these cases I have made the right and left outer borders the same fabric as the background. Only the top and bottom are shown as accent fabric and this emphasizes the horizontal feel of the bands. The top quilt has Thatched Pine for background and bottom shows Cream. SOME SPECIFICS ON YARDAGE AND CUTTING: If using the triangle tree print or any print that needs fussy cutting or special lining up, I'd suggest getting a little extra fabric so you can adjust when cutting as needed. In this case, I'd recommend getting 2/3 or 3/4 yard of fabric for the horizontal interior bands vs 1/2 yard. If only using horizontal borders at top and bottom vs the print around all 4 sides, I'd get 1/2 yard for top and bottom and increase that to 2/3 or 3/4 if fussy cutting (as I am here for the triangles). You would also need to add some yardage to the background needs to get the borders on right and left in background color. Increase the background yardage to 1 2/3 (instead of 1 1/8)- that is ONE yard plus 2/3 yard= 1 2/3.  Two more from Winterly. The "Ribbon Birds" is a flowy, elegant print and I've used it for bands and borders with top having 2 fat quarters of prints dividing those bands and the bottom quilt using all birds on green. The bottom Thatched background is Deep Sea and is a nice alternative to Pine to accent the warmer greens of this line.  Just THATCHED on it's own can be fun too in Bar Hop. I've used this "Hygge Happy" palette in some other quilts and enjoy the calm, warm, happy comfort of this combination. The "Beach Party" palette has more aqua and surf colors with summery party friends. These work best with 2 colors in each horizontal band and you can use Fat Quarters and also cut from those for smaller vertical bars or get Fat Eighths of these colors if you don't want additional cutting space. For both of these, I tried a split color border with a lighter and darker "L" shape. I like how this brings more variety to the contrast of colors. Hygge Happy uses Washed Linen for background. Buttermilk and Toast on borders. Bars with Buttermilk and Toast and Sugar Rose, Tangerine, Chartreuse and Green Curry. Add in vertical bar colors of Sprig, Berry, Burgundy, Petal, Primrose, Early Dawn, Blizzard, Oatmeal, Cocoa, Chocolate Bar, Smoked Paprika and Cinnamon (only need a 5" square of each or a couple 5" for the tans on those). Beach Party uses the same colors on vertical bars but background is 198 Brook with borders of Aqua 212 and Turquoise 101.  These last ones use THATCHED for the bars but bring in Emily Van Hoff's GROOVE print 42372 27 Unspooled Tuxedo. I love this print! Mix it with rainbow bars of crayola color fun or a more limited palette of berry, warm neutrals and browns and soft Lime and Greenery. There is so much motion in Groove print that I wanted to keep my smallest rectangle accents more subtle.  And here I have extended the background color to the outer borders to really frame the Groove and warm neutral palette more. I think this is the version I will be making in July! I just can't decide between the Buttermilk background or Soft Black or Charcoal background. I've ordered my fabric so I'll audition the final fabrics when it arrives. My bars use Charcoal, Toast, Oatmeal, Cocoa, Stone, Peach, Berry, Sugar Rose and Pink Grapefruit.  Enjoy a little Bar Hop fun, whether it is with a big mix of color and prints or with a calm and refined palette. Next month I'll be exploring Tokyo Terrace in my COLOR PLAY for quilts.  We'd love it if you sew and share in our facebook group "Robin Pickens Sew Happy Community". You can find the pattern at RobinPickensINC.com in print or PDF format. The specs below are what you need if making the original palette or one that follows a charm pack/panels/border format. If you have questions on the others, you can email at [email protected] to ask or to see if we have specific fabrics you may be looking for.  Happy sewing!
Robin Serena Shores gave me the opportunity to work with a more nautical, coastal theme and I thought it would also be nice for summery stitching on smaller needlework projects. In my mind, I envision a modern beach house with beautiful views of the water and a collage of stitchery up on the wall from vacation relaxation. These were originally shared at h+h in Chicago last May and I'm getting them put up for summer now!  Shoreline Sampler has a lot of motifs all in one. Shells, compass points, sandpipers, seagull, starfish, anchor, rope and shells are snippets of summer snapshots. I love that the samplers can be stitched as a single large image or broken out into little projects.  I did my first samplers with Fall Frolic and Winterly and also made little mini pillows or dough bowl fillers. Susan Strumpf helped me out with finishing ideas and utilized my Serena Shores fabric for pillow backs and accents along with twine and roping and tiny shells.  Instead of a dough bowl, I think these look charming in a more open-weave basket with a more rustic feel.   I love how Susan used the tine shells to accent the pillow with coral!  Anchored Life is another cross stitch that shows the anchor with compass points. It fits beautifully in a hoop and also finishes well in a square shape framed or in a pillow. The pillow here uses Serena Shores paisley fabric and Susan used 20 count linen, over 2, from Zweigart in Off White with 3 strands of floss for that larger scale of stitch. I love the texture this creates and the 20 count cork linen is such a pleasure to stitch on.   The blue mini pillow below is one of the motifs from the corners, stitched on 20 blue linen from Week's Dye Works with 3 strands over 2 threads.  Modern Beach House 1 and 2 are a set that look nice together or could be a minimalist expression on their own. With each I have used a more graphic element of linked rings that suggest life preservers or chunky chain links. I've mounted these on sticky board and floated them on fabrics from Serena Shores in the same linked ring motif. I like the extra fabric space to offset these in their frames with more color to the bottom.  I'm using Monaco 28 count evenweave on a lot of these with Cosmo flosses. I always cross reference to DMC on the backs of my patterns. I like Cosmo floss a lot since I feel it has a nice feel, tangles less and has some really rich colors, all within a reasonable price point. Cosmo is from Lecien in Japan and they also make a lovely Tsu Mu Gi 40 wt. cotton thread that I like to use with my sewing machines. The Monaco material I have stitched on feels a little stiff to stitch on at the beginning but softens up and I like how even the weave is and feel I can get even tension when stitching on it.  The last summery beach cross stitch I designed is Beach Day with Emerson. I love this quote and wanted to use it as a framework around my mix of shells. Don't you enjoy collecting an assortment of these beauties as you walk along the sand? A pop of color in the coral offsets the soft type and warm shells.   Let your local needlework shop know if you want them to carry these charts or you can get them through robinpickensinc.com. Take a break this summer, relax, and visit the beach daily in a little summery stitch!  It is summer time and it is getting hot! I realized I needed to add a little "cool" into my world by getting out my Serena Shores quilts! This collection of fabrics has coastal vibes of big blooming Agapanthus (also called Peter Pans) in cream and blues are accompanied by shells, wispy seaweed and sketchy linked rings. I showed this line at h+h last May of 2024 and it shipped to shops that fall. I don't think I showed it on the blog at the time so I thought it was a good time to bring back the watery coastal pics to share.   The line has precuts of 10" layer cake squares, 5" charm pack squares, mini charms and jelly roll 2 1/2" strips.     I designed quilts and coordinating cross stitch for this line. The next blog post will show the cross stitch (and a little experiment in punch needle!). As for quilts, I showed 3 patterns in Serena Shores.  My new quilt pattern with this group was Surf Wave. I love the simplicity in this but still so much motion with the waves. This quilt uses a layer cake for the larger 64" x 66" quilt or charm pack for the smaller 32" x 33" wall size quilt. This is an easy, fun quilt to make and could be a great gift for someone who likes to surf, swim, boat or water ski.  The background on the larger quilt is Thatched Coastal Blue 48626-209 and I love this new shade! Brighter than Navy but still dark enough with just a little warmth. The smaller quilt has Linked Rings in Cloud 48775-11. Pantograph used on large quilt is Oil Spill from Longarm League. These quilts make me feel like taking a breath and slowing down to enjoy a beachy day.  I also remade Tokyo Terrace (and made some needed corrections and updates in the pattern) in Serena Shores with the same Coastal Blue background for the large. Tokyo Terrace is a good pattern to use to show off large scale prints and in this instance I wanted to hightlight the flowers in two colorways as well as the sketchy shells. I liked the balance of the green for a more lively color accent and the wispy seaweed in cloud to show off the delicate leaves.  The drawings of all the shells are really a favorite of mine in this group and I enjoy them on the cream background as well. The print with coral and shells is a nice backing print for a quilt.  A pantograph I have used before on Tokyo Terrace is Modern Curves by Anita Shakleford. I've used it on the blue Coastal large quilt and Wishbone from Longarm League on the small one.  Another thing to point out about Serena Shores is the addition of some new Thatched colors! Along with that Coastal Blue 209, there is also Breeze 210, Lime 214, Frost 211, Aqua 212, Surf 213, and Lagoon 199.  The last quilt I showed in Serena Shores was Backslash.  This is a fun quilt to make and I enjoy the angles and how they lead your eye around the quilt. The pattern has several sizes including Lap, Twin and Queen. Both of these are lap sized at 64 1/2" square. The one on the wall is using Thatched Lagoon for the background. The pattern calls for 11 fabrics for the blocks so you can pull a nice range of coordinating prints in either 1/3 yard, 1/2 yard or 3/4 yard pieces (depending on size lap, twin or queen).  Susan Vaughn of the Felted Pear helped me out with some longarming on these (I try to do my own longarming but I was swamped at the time). The pantograph on the Lagoon version is Alga from Karlee Porter. The white one uses Mini City of Fountains pantograph from Julie Hirt of 627handworks.  Thanks for taking a look at Serena Shores and I hope you have some to play with. The beach and coast are calling!   This is Kiley Ferons' block, Cat's Cradle, for week 4 of Moda Blockheads. I like the soft angles of the outer shape that is created from the half rectangle triangles. For my color studies I kept thinking that center block would be great for some fussy cutting! So keep that in mind with any of these as borders around a fussy cut image.  Keep the outer sides all background white or split them into black and white high contrast sections. More white in the top right brings propeller motion. In the middle row, the middle middle image just pulls me in to that center and I like the various shades of colors surrounding in each quadrant. Those borders feel 3d to me, like faceted cuts of a gemstone. The bottom row plays with more white pieces to highlight an angled view. The middle one started to whisper "spool" to me so I had to try that with a striped center. I love the spool of thread!  Here is another view in black and white and with the line divisions. On any of these color studies, to actually make these versions you need to read through your directions and assign different fabrics and more varieties to the pieces. But that is part of the skill-building and fun of starting with a pattern and making decisions to get the look you want.  Here are the actual sewn blocks from Melina. I am so glad she was busy sewing while I was away at the ModaVation retreat. She did mention that you should make sure you read the directions on this block. We have a tendency to look at pictures and the written instructions can be very important any time you do half rectangle triangles to get your trimming of pieces correct for proper seam allowances.  Here is the Popsicle palette. Having a little bit of dots sprinkled into parts of my blocks adds a bit of whimsy. My overall background on this palette is Thatched cream 36. It is interesting to see how the feeling changes subtly with the snuggly palette with the Buttermilk Thatched background that is shown after these images.  Snuggly palette with Buttermilk background:   Four weeks in and I've got 5 blocks that are starting to tell a color story of their own. My block is week 6 so I will try to have my setting idea ready to share with you then.  Snuggly palette. The Dotty Thatched is only in the popsicle one so I'll be interested to see how much influence those dots have on the feeling of the quilt. Don't these groups look pretty?  I'm happy to have a fun project like Blockheads for summer and fall sewing. Baby steps each week really adds up. Happy sewing everyone!
it's week 3! Anne Sutton of Bunny Hill Designs is bringing us "Sunday Best". This is a fairly straightforward block but sometimes I like to carry through a band of light or dark to define the space in ways you may not have thought of. Or, like the first one on second row shows, accentuating the propeller/pinwheel potential. On the last row, the first two make me think of a flashlight or security light shining down.  Black and white and grayscale...but this week I don't have the version with outlines since my computer seemed to go on strike and was not going to cooperate with the added outline. I decided to not fight it. Some weeks are like that. Know when to walk away from the computer...  As for the sewn blocks, I'm using more color and more Dotty Thatched for this block. I like how the little dots almost look like raindrops on a stained glass window.  The mix of regular Thatched and Dotty Thatched creates depth to this block. I like to "sprinkle" the placement around in the overall quilt so most blocks will have some elements but not be fully dotty.  I'm making one block per colorway this week. The Snuggly palette stays all regular Thatched. I've got 8 different colors in this block but the colors are so harmonious that it still looks cohesive and calm.   I'm at ModaVation this week so I don't have time to show you my layout yet but I promise to share it soon! In the meantime, have fun sewing and continue to post your blocks on the facebook group. I love to see what people come up with! Happy sewing!
Week 2 of Moda Blockheads 6 and we have a beautiful block from Lynne Hagmeier of Kansas Troubles. Meet "Crossroads."  Summery June brings out those warm sunny colors in my mind. I worked with yellow to orange to red and burgundy. Is the center a bowtie? Or points on arrows? A turning point for a ribbon or line? With the first block I notice the corner triangles on the block a lot. The right one on the top row reminds me of a twist tie or the twisted ends of a wrapped candy. The right one on the second row has 4 arrows meeting in the center. The third row left is almost like horseshoe magnets. It can be a fun play of negative/positive with those horseshoe magnets in the next one. With only two colors, the next one is a strong silhouette. My bottom row uses 4 colors in the quarter square triangle center with more shades of the colors. In a case like this, if I were sewing one of these in Thatched, I'd flip my fabric to the back to get the lighter shade of a color.  Black and white and grayscale to see them without the color influence. And with the lines, below, to be clear on the piecing. I know with color studies like these, if you want to use them as inspiration, you may have to make some extra pieces to get the color and value differences in the pieces.  How about the sewn blocks? Well lets add a little Dotty Thatched to some corners in my Popsicle palette.  I'm using 2 blocks in the quilt this week, for each of the two quilts...so that is 4 blocks.   And same color vibe happening in the Snuggly palette too. Instead of Dotty, I've got the fuchsia in regular Thatched.  I stayed with a more traditional use of color arrangement in the Crossroads block. I'm excited to already have a total of 6 blocks made to be used in my two quilts!  How about you? Are you making multiple blocks? Or one a week is perfect for you? Some weeks are busier in life than others so go at your own pace, be good to yourself, and enjoy the process. Happy sewing my Blockhead friends!  It's here! Moda Blockheads 6 has begun with our first week of block patterns. This is "Regatta" by Vanessa Christenson of V & Co.  Here is the black and white version. It can be easier to envision your colors and fabric pull into this image of complete neutrals. And I thought it might help to have an image with the block lines to see exactly where these block pieces fall.  So how about some actual sewn blocks?? Well I've got TWO palettes I'm working with this year: "Popsicle" and "Snuggly". The Popsicle palette combines both regular and Dotty Thatched. I love how the Dotty fabrics give a little extra sparkly look. My specific colors are Navy, Royal, Surf, Grass and Lime for cool colors and warm colors of Burgundy, Ruby, Scarlet, Tangerine, Fuchsia, Pink Grapefruit and Petal. The background is Thatched Blizzard.  The "Snuggly" palette is all regular Thatched in a calm, sophisticated and warmly soothing way. Mocha, Cocoa, Oatmeal, Washed Linen play with Burgundy, Cranberry, Fuchsia, Pink Grapefruit and Petal, on a Buttermilk background. Although there is similarity in the warm colors between the two groups, the feeling is decidedly different for the overall colors.  With the Regatta block in Popsicle I have two different background colors. I like how the dotty looks like little sparkles or fizzy pops!   Snuggly still has two background colors (Mocha and Burgundy) but the corner squares are also a different accent color. The light and dark of the half square triangles is reversed on horizontal vs vertical rows. Can't say for sure yet but I think this palette will be my favorite.   My setting idea will be shared in the weeks to come. But for now, happy sewing and making of your Moda Blockheads blocks!
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About ROBINDesigner of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter. I am proud to be a designer for Moda Fabrics!
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