I was so honored that Katja Marek asked me to participate in her instagram book tour for her book, The New Hexagon 2, published by Martingale. This is a second book on hexies, after her popular The New Hexagon. I love the image on the cover here so much! First off, that color palette of greens and teals is stunning and her layout of large and small blocks to make the diamond shaped sashings creates such a wonderful movement within the quilt top.
Katja named the blocks after women she admired and I was so honored that she selected me for one of the blocks! Thank you Katja!! I certainly admire what she has created as well. And I appreciate how thoroughly and well she explains English Paper Piecing in this book with photos and tips that make a difference.
So meet the ROBIN BLOCK! It is block number 7 in the book and is a 12" size, one of the larger blocks. I appreciate having that fun center triangle for putting in something with some fussy cutting. All those rays would look great with fussy cutting too but I decided to make mine with an emphasis on one of my bees and coneflower centers in the middle.
I used my Painted Meadow fabrics to make my blocks since it recently landing in quilt shops. I keep thinking that this block would be great as a lion face (embroidered in the center?) with the rays being a gold lions mane. Or with a graphic sun? I think you could have so much fun with this one.
Say his to my bumble bee! She's nice and plump and busy in the garden.
If you want a copy of Katja's book, give some love to your local quilt shop and see if they have it! If they don't, you can follow these links at the bottom of this post to find her new one as well as the original The New Hexagon (also by Katja Marek). If you'd like to visit the other designers and quilters on instagram that joined in on the book tour, check out the list below. There were giveaways, which are closed now, and I hope that everyone who won a book has a happy sewing journey with their hexagons.
@katja_marek @karenburns1 @martingaletpp @paperpiecesepp @modalissa @kim_brackett @robinpickens @alisonglass @la_casetta_nel_bosco @allie.and.me.design @quilterpatsloan @lynetteandersondesigns @gailpandesigns @sewmorequiltsmom @poppyprint @stitchpublications @stashlabquilts @meghawkey1
Today I put the last border on my Bird Talk quilt and I was so happy since I've been doing it in little bits and pieces, here and there. One night I will think "okay, I can get all the bird legs done" and another night I assemble the cardinal. Chip away at some leaves...little by little. I had help too with Olivia, who came and calmly cut and pieced leaves and leaf stalks while I filled pattern orders and dealt with computer things.
This has been a happy quilt to make. I don't know why, but birds are just so cheery. Maybe it is because I am named after the first bird of spring- Robins hopping along on the lawn with bits of snow still sticking but signaling that spring is indeed coming. Or maybe it is that I love to see the birds jump around and play with each other in a teasing way on the branches of the trees outside my studio window. Whatever the reason, birds just seem free, colorful, light and full of chatter.
I did start by making birds first. Then leaves. Then border. Then joining it all. The pattern itself is not overly difficult. It is made from patchwork simple piecing, half square triangles and some flying geese. You just have to pay attention to cutting a variety of sizes. I suggest labeling them with some post-it notes as you cut them out. If you want o make scrappier pieced sections of border, combine more smaller pieces into the larger size of block or rectangle for backgrounds.
Wouldn't this be fun with all Blue Jays, or black birds with fall colored leaves? I think this will be really fun to play with pattern and color on other versions. This version was made with Thatched Basics by Moda Fabrics. Some of the differences in colors are subtle- for example, there is a light red, medium red and dark red. You could use all one red, but the differences in value help to define wings from underbelly from top of bird. This could be a great place to experiment with ombres too- Hmmmmmm, I'm wondering the effect I could get with those!
This quilt is a lap size, or a twin with the border. This is the first time I have done a decorative, pieced border and I am really liking how it works with this particular quilt. I wondered if the border would be too much, but now that it's done, I am quite smitten with the border and am looking forward to doing other versions with it.
This quilt is easy to make with a combination of fat quarters, fat eighths and some yardage. I will be sizing it down to half scale for a wall quilt, hopefully by the start of quilt market. I had to make a decision on pattern sizes and the pattern itself is a 5 1/2" x 8 1/2" booklet (the size of my other patterns) but its 14 pages of instructions to include what you need for cutting, piecing and borders. I could either make a larger pattern at twice the price and include two sizes, or do two patterns at specific sizes at my normal price (its too much info to put both sizes into the small format booklet). I figured most people would know the size they want to make and appreciate not spending more on the pattern, so two patterns it is. I appreciate knowing if this works for you or if you'd rather spend more and have both sizes together.
This bird family is off to the longarmer tomorrow. Stay tuned for the smaller one!!
Happy quilting! And for more Thatched fabric patterns, check out my shopify store!
The Moda designers had a fun project for the Spring Quilt Market this year. A group of us designed 18" block patterns to give to local quilt shops to use during this National Sewing Month. 18 inches is a substantial size for a single block and leaves room to play with fabric and combine several shapes and sizes into a layered composition.
At the time of designing my block I was working on my Picket quilt with it's stitch and flip sides that make up the picket fence border around the quilt perimeter. I liked playing with this shape and how it also suggested flower petals, especially when grouped around a central square.
I call my block "Full Bloom" because it reminds me of the petals in a fully open flower in a grand display. The petals are separated by sashings to give more definition and color play in your piecing while dividing the space in an interesting way.
For a schoolhouse session at Market we showed our blocks. I made up two blocks using my new collection (shipping in October 2019) of Painted Meadow. Coneflowers in paisley shapes, textures, little sprigs, all make up the blocks in this composition. And I could not resist doing a little fussy cutting and making one of my fat bumble bees the center of a bloom. Perhaps this bee is looking for pollen in the center? These blocks are not quilted yet and I'm still deciding if I'm going to make pillows or work these into a quilt top.
I like to experiment on the computer with the blocks and what it looks like made up different ways. With this block, the corners could be more valentine-like with hearts (like the top left image) and a hashtag center. Or maybe the center is surrounded by darker colors to set it off in contrast. Multi-colored blocks (lower left) have a different feel from monochromatic blocks that play with values of light and dark.
Studying what happens with light and dark values is interesting when you have all these rectangles that continue across the block. You can have mid-range tones that suggest overlap and transparency, or sashing lines that stay solid and strong. Some look like woven plaid. Others are radiating light or dark from the centers. I love the different look and feel you can get from one block with this play of light and dark. Wouldn't it be fun do do a monochromatic quilt just exploring these light and dark relationships?
If you want to make a block with a big fuzzy bumble bee, like the one above, look for the Painted Meadow collection in October. Painted Meadow has corals, red, greens, teals and pinks. Or use solids with a range of light and dark values. Or go completely scrappy with enough room in those squares for some good fussy cutting. Whatever you make, I hope it is fully blooming and glorious! Check out this link for the FREE pattern and please visit your local quilt shop to see if they have projects with these 18" blocks!
Robin Pickens 18" Block
Visit the previous designer's blog posts and the future posts to see more 18" block fun! Here is the schedule and links to their blogs:
9.23 - Lella Boutique and Sherri & Chelsi
9.24 - Kansas Troubles and Corey Yoder
9.25 - Crystal Manning and Me & My Sister
9.26 - Jan Patek
9.27 - Robin Pickens (me and here is the pattern!)
9.30 - BasicGrey
10.1 - Betsy Chutchian and Lisa Bongean
10.2 - American Jane
10.3 - Kathy Schmitz
10.4 - Zen Chic and Deb Strain
I'd love to see images of things you make with your blocks! Do you make a sampler with all the designer blocks? A table runner with a set of three or four? A pillow or mini wall quilt? Have fun sewing and share with us!
Sometimes I just like to sew. You know, the hum of the machine. The forward motion and progress. Adding piece after piece in a rythmic order and just getting into my zen place of calm at seeing rows of color and pattern coming together. KYOTO STEPS takes me to this zen place.
This quilt is easy to make- a logical cutting scheme and straight sewing- but still has a richness of activity and proportions. It is designed to allow some large prints to have a bigger block (yes, my common theme to show off my large florals) that are more centrally located. Then think of the other blocks as steps that skip and hop away from the center in light and dark.
I just love the quilting on this one. I want to rub my hands over it and feel the texture of those fans! Marion Bott (@bottmarion on IG) did a fantastic job with adding the perfect layer of textural dimension to this quilt. The fabric here is from my Painted Meadow collection (shipping October 2019) and I made sure some of my fat bumble bees made it into the large blocks. I also put the large pink print with big Coneflowers on the back of the quilt so there would be lots of drama and excitement when you turned it over.
I must admit I really don't like making quilt backs. And I REALLY don't like trying to match a print on a seam when making a back. I'd much rather add a panel down the middle so I don't have to see an unmatched print and use some extra pieces of fabric I have. In this case I made another row of rectangles from leftovers from the quilt top and ran it down the center. I think its stays in the style and spirit of the quilt front and gives a fun interest to the back.
Kyoto Steps looks serene in these teal and green colors. This is a scaled down version of the quilt with slightly smaller rectangles. This lap version still gives plenty of room for a big print to shine while playing with those rhythmic rectangles. Sally Corona (@coronaquiltworks on IG) quilted this one in fabulous hexies. Quite a perfect shape with this chair!
For this quilt I chose a Moda Bella Solid for the backing- I believe it is Pistachio. I wanted to keep it serene and calm but with a pop of color! I like the way the painted lines coordinate print in the Painted Meadow collection make a good binding with subtle stripes of teal, green, deep red or saturated pink color families.
KYOTO STEPS is written for three sizes- Lap 58" x 67", Twin 74" x 89", and Full/Queen 97" x 93". The placement of the rectangles is diagrammed out to make it easy to replicate this spacing of blocks. The quilt is made with 6 half-yard cuts plus background if you are making the Twin, mostly 1/3 yard cuts for the Lap (but get 1/2 yard if your main print is directional like mine is) and a mix of 2/3 and 3/4 cuts for the Full/Queen (also adding background yardage to the Lap and Full/Queen).
If you want to make this in a scrappier way, you can use mixes of Fat Quarters for your pieces. If you are using a Layer Cake, the scaled down size of the Lap will work for those 10" pieces. This quilt is suitable for more beginning quilters.
You can find KYOTO STEPS along with other patterns from the Painted Meadow release at my shop and the patterns are shipping to local quilt shops with the fabric collections!
The original inspiration for this quilt was a caned back to a chair I saw at a yard sale. I thought it would be fun to replicate that woven look with center octagons in fabric. As I was laying it out, the design was becoming a bit too busy and challenging. It needed simplification so the lines did not compete with the prints on the fabrics and so I wouldn't tear my hair out! My happy ending place was this center part of Picket, with white triangle corners meeting each other, suggesting the continuation of line and an almost mosaic-like feel.
As I was playing with the shapes, I loved how the triangles played together and with some of my diagrams, the flying geese ends started to make their own statement. By lengthening the strips, they suggested picket fence posts (but not too long to be overly literal). The pop of white against a colorful border gave that additional chance to set the mood with color.
Picket is designed to be made with either a layer cake (or any mix of fun scrappy 10" blocks of fabric) OR with fat quarters. I like using the fat quarters to get a good mix of fabrics but still have repeating prints and to select my fabrics to tell a color story. The two lap quilts here have color themes of pink/coral/red and blue/green/teal. They have such a different feeling based on the warmth or coolness of the fabric colors.
For the layer cake version of Picket, I auditioned quite a few colors for the border and centers of the X blocks but I kept coming back to this Moda Bella Solids Spray color. There is something so fresh about it and I loved how it popped with the teals and greens and reds.
The quilt is made up of Snowball and X blocks, set on point. It's really pretty fast to make once you get in the groove of the blocks. I make up all the Xs, all the snowballs, then play with arranging them. Then at the end, I get to enjoy my colorful garden all surrounded by my picket fence.
I'm so happy to have had a lot of helpers on these! The large quilt was pieced by Susan Vaughan @thefeltedpear and was longarmed by Marion Bott @bottmarion. The lap quilts were pieced by Danica Willig @danicawilligdesigns and longarmed by Sally Corona @coronaquiltworks.
Check out more patterns made with Painted Meadow (and yes, Painted Meadow is shipping to shops in October 2019 from MODA FABRICS!) at my shop!
Chunky leaves in curved friendly shapes with graphic triangular blooms. Say hi to Beanstalk! This is a leaf/vine quilt made with Painted Meadow fabrics. The selection of fabrics and instructions use fat quarters for the leaf and bloom prints. The green stems and background are indicated as yardage.
I wanted some growing, garden themed quilts. Beanstalk and my Picket quilts were a direct reflection of the desire to marry plants and quilts.
Beanstalk has chunky, curved leaves made with 4" radius quarter circles (8" full circle size) that make the gentle sides of the leaf shapes, meeting half square triangles to finish off the leaves. You can play with the leaves by putting all dark colors to the bottom for a more shaded look or doing scrappy piecing with color and light/dark values.
The Beanstalk pattern comes with a paper template to make the curved blocks. However, I made the blocks for this sample using the Creative Grids Circle Savvy Ruler and I recommend it! Cutting circles with a ruler like this makes them so accurate and easy to sew together. I also have a number of Drunkards Path and quarter circle rulers in different sizes and one of the reasons I like this Creative Grids one is that it has ALL the sizes I use in one ruler! I can design with it, try different sizes with it, and translate a pattern for applique vs piecing with it too (different sizes minus the seam allowance).
When I started the plans for this quilt, I thought I would make it in only green shades for the leaves. But then I mocked it up with the teal and red shades and loved the graduation amongst the color families. It reminds me of fall and changing leaf colors. I think the reds add a lively touch!
Because I try different blocks to figure out my sizing, I usually make a variety of sample blocks. It seems like such a shame to waste these so I try to incorporate them into the backs of my quilts when I can. For this Beanstalk quilt, I used leaves that were too big and too small and a larger bloom as a pieced block in the center of my backing.
This quilt was longarm quilted by Marion Bott and the pantograph is a Sand dollar design. I love the pretty flower shape and the orange peel structure of this design. It makes such a lovely texture on the quilt!
I'm trying to decide what Beanstalk quilt will be next- one from Thatched basics? One with grays and muted colors? I'm not sure but I'm looking forward to planting a new Beanstalk! Visit my shop for this pattern and more that are made with the Painted Meadow collection from Moda Fabrics (shipping October 2019 to quilt shops). Happy sewing!
When I saw the Kinship Fusion Sampler created by Gnome Angel and Skyberries I knew I wanted to try it in Thatched fabric, my new basics line coming out with Moda Fabrics (shipping in November 2019). I was wanting a color-play exercise that used a limited palette and a select group of the fabrics. I like this line for fillers and backgrounds, but they deserve to hold their own in a quilt sew-along!
I love the modern feel of many of the blocks, playing with geometry in often asymmetrical layouts. I thought the woven illustration of Thatched would work well to add just a little depth to the blocks.
I actually jumped in about a week into the sew-along, which is typical for me. I WANTED to do the sew-along but I get distracted and think I don't have time to add ANOTHER project. But then I see people posting on instagram and I can't stand it anymore and jump in late.
My original plan was to make the quilt in mostly grays and white with a tiny pop of color. Maybe just the heart block in orange? I selected three grays from Thatched to use- the Gray 85, Pebble 24 and Shadow 117, giving me a light to dark range of grays. There are actually 5 grays in this first release of Thatched but I wanted to keep it simple. I've never made a black and white quilt before or a black, white and gray one, so this was a new exercise in restraint.
fBut I guess at heart I am really a COLOR GIRL and I needed more than just one pop of color! I loved the idea of just orange with the quilt, but the addition of greens to the mix felt so much more appealing and fun. I really like how the combination of Chartreuse 75, Sprig 14, Peacock 77 and Turquoise 101 play together. It was a tough call to decide if I should add the dark green Pine 44 to the mix but I left it at the original four greens.
For the oranges I used Tangerine 82 and Apricot 103. Again, tempted to add more with Maize gold but I pared it back. Every time I use the oranges it feels like a jolt of orange juice waking me up!
Usually I keep the color story of greens or oranges within a block but once in awhile, one escapes and jumps in another color block! Quilt block 29 is an example of that with it's little orange square. And block 82 with one orange corner to liven up the group! (And yes, sometimes I go out of order and make some of the later squares in advance if I have the right pieces cut)
When I got to day 25, I layed out what I had on the floor to get a feeling for them all together. For the planning of this sampler, I used the coloring sheet that Gnome Angel has on her blog at https://www.gnomeangel.com/100days100blocks2019-colouring-sheet/. It was tremendously helpful in planning and playing around with the colors. You need to purchase the pattern to get the coloring sheets and I am not posting my colored in one since that would be a violation of the pattern copyright.
Yes, my helper was involved and let me know she was bored of this whole thing.
There is one thing I wanted to mention about this particular pattern for a sampler. I really appreciate that the sizes of the blocks you cut are very consistent so it is efficient with fabric and makes it easy to precut pieces. For example, a lot of pieces might be 2 1/2" wide so you knew that by cutting that size strip, it would be utilized for a lot of smaller pieces. I could go through and count out how many pieces I would need at certain sizes or how many flying geese were needed at the same size and then make them in bulk. This really cuts down on time and makes it enjoyable to move through the blocks faster and with more efficiency and economy. I thought it was a very smartly planned out sampler that way!
I have been loving the blocks I've been seeing on instagram from other people sewing along. I particularly love seeing some of the fussy cutting and cute fabrics. It is a different feeling to do a sampler with a limited palette and limited fabrics and I like the new muscle that is flexing in my mind to explore the contrast and color relationships. I like how clean and modern this feels to me. But I can't lie, a part of me wants to just throw one of my big flowers into one of these blocks!
I'm guessing the next time I share these blocks on the blog I'll be done or at least close to done. Follow me on instagram to see more progress with the Thatched blocks at @robinpickens. Follow along to see all the great blocks on instagram with the hashtag #kinshipfusionsampler or #100blocks100days2019 and thank you Angie @gnomeangel and Bec @skyberries for a great sewalong! (Also, I am dying over Bec's blocks made with Heather Ross fabrics- fantastic!!)
I like to pair bigger prints with some solids for balance. But does that mean all solids are flat? Calm and rest for the eye can still have subtleties of design and texture. There is something so enjoyable in a little tonal and linear variation that brings interest and depth, like the character of a hand drawn line. It is in this drawn texture that I think of threads coming together to create "Thatched."
Thatched was hatched (ha, ha!) a number of collections ago, as a coordinate for Dear Mum. The little woven drawn lines became a texture print in gray, warm red, green and the Robin's egg blue. It blended so well it wove its way into the next collection, and the next.
Now Thatched is ready to claim its place as a basics line and make its OWN color statement. Colors have been added to round out the palette to include browns, blues, oranges, burgundy and Berry. 30 prints of luscious colors.
Perhaps you keep Thatched as a subtle texture print to balance out your larger prints and be a background fabric or blender. Or you may decide to play with the combinations and relationships of color families and groupings in color studies with saturated splendor.
Let your world of color mix with the texture of drawn line, the feeling of linear weaving. We are, after all, makers. We have interwoven lives and notice the small textures and details that make life richer.
Lean in and notice the detail. Rejoice in the imperfections. Drink in the saturated colors.
At my conference table (the kitchen table!) the ring of color commands presence in the space, singing out a rainbow of song.
Enjoy the blues of Navy, Marine, Sky and Royal. Dark to go with denim. Light to brighten like the sky. Blues blend into greens and teal shades. Moody, pretty blues. Grays that are warm and cool, speckled and subtle. Reds that are deep and dramatic or bright and cheery (and yes, the Crimson and Pine of Splendid are in the basics).
Drawn line in color tones with the character and heart of handmade texture.
The ring of color is almost luminous under the light as night time falls. I will clear it tomorrow. For tonight I will sleep with rainbow dreams...
Hop on over to youtube to see Jennifer from Shabby Fabrics do a tutorial of a festive Christmas Tree Farm Table Runner!
She used a pattern that Moda Fabrics had and allowed her to share. The trees are red and green on one side and white on the other- a fun reverse effect of background vs foreground. Of course I'm really thrilled with this particular table runner since she's showing it in Splendid fabric!!
Along with the Splendid collection there are pops of red and gold star bursts in Grunge fabric as well as with white and star bursts on the background white. I loved seeing how these trees came together in two sides with the strips!
If you are interested in Tree Farm Table Runner kits, Shabby Fabrics has a few available at their store! The download link for the free Gina Martin pattern (17.5 x 51.5") offered through Shabby Fabrics website is https://www.shabbyfabrics.com/Assets/Downloads/TreeFarmTableRunner_forDownload.pdf
Happy holiday sewing!
I'm happy to announce my shopify store is up and running! Actually it has been up and running for a short while but I'm still working out some of the kinks and I'm still deep in my learning curve. I signed up for shopify and it took me about a year to learn in between all the other stuff going on, and pull the "publish" trigger. But today is the first day I'm listing a product that is NOT on etsy and is only at my shopify site. It's a shift for me and I'm quite excited.
I've been on etsy for a number of years. And etsy has been a good place for me to be. I will STILL continue to have my shop there as well. I have no plans on shutting my etsy shop down because I know some people are comfortable shopping there. However, I knew there were some ways that etsy was starting to feel like it wasn't the right fit for me as my only avenue to have a shop.
So what wasn't fitting so right? There are some great reasons why you want to start on etsy. But there are some great reasons to grow and evolve beyond etsy too. These are some of my main reasons to expand to the shopify platform.
1. Fees. First off there is a listing fee on etsy of 20 cents per item and every time that item sells and another "same" item is up in the que, you pay another 20 cent fee. And then there is a percentage fee that etsy takes on the cost of each sale. In 2018 etsy increased that fee from 3.5% to 5%. That increase starts to add up over time. And it adds up a lot on larger ticket items. And etsy started charging 5% fees on shipping costs as well. A shipping cost is something I pay to ship something. It is not profit. So to pay a 5% fee on a cost I pay to ship goods is problematic. It's not till you really look at the numbers and see what you are paying in fees each week that it becomes REAL. Kinda like paying taxes. The actual numbers sting a little even though you are thankful you are making a living.
2. Analytics. Knowledge is power and the more you can figure out where your traffic comes from, the better. And truth be told, very little of my traffic was coming from within etsy. It can be well worth it to pay for real estate in a well traveled neighborhood that brings in a lot of customers "finding" you because you are in that location. But looking at my analytics showed me that very little of my customers come from within etsy. Most come from direct links, my website, linktree or pinterest. And it was frustruating to see that now the analytics have changed and direct traffic is combined with "etsy app" so it is harder to figure out that number. With the "etsy app" part of "direct", a direct link could have opened up within someone's etsy app on their mobile device when they clicked on a link. That doesn't mean they "found" you through etsy. I question why they are lumped together when it seems to only muddy the factual information of what etsy is really bringing to me in searches. If some of the increased etsy fees were justified with ideas of improving the search features, that wasn't really applying to me since that is not what drives the majority of my traffic.
3. Loss of control. Every time a company changes an algorithm or decides to implement a new pricing strategy or changes their business goals, it directly impacts your business as a shop owner. But it feels like it happens to you without having any control over it. My best example of this is craftsy (which is now Blueprint.com). I had quilt patterns for sale on craftsy.com and I made sales there. Then I got the email, 6 days before Christmas 2018 with the line "On 12/28, your pattern store will be removed from Craftsy.com" with an explanation that they were changing their marketplace and editing down the individual stores. Honestly, one week is not a lot of time for notice that your shop will be closed, not to mention it being the week before Christmas when you get the news! And it was their decision and not yours. It is THEIR platform and they have the right to do that. And its business. It is not personal. Some designers got to keep patterns up and for sale but craftsy decided which ones and the designers did not have control over whether or not they could add more. I'd assume some kind of approval process was implemented for that but I didn't pay much attention since my shop was on the "delete" list.
This was a gift really. I learned that I feel better if I have more control over my own business. It gave me a kick in the bottom to work on that shopify site. Yes, it still took me another 6 months to get it open but I felt fortunate to have other solutions. Fortunate that I had already researched what online platforms I liked. Fortunate that all my eggs were not in ONE basket.
4. Connection to buyers. Yes, etsy gives you the ability to communicate with your customers through a conversation. But the email address of a buyer is theirs unless a customer gives you permission to contact them otherwise. I have no desire to send a ton of annoying emails to customers or abuse a relationship we may have. However, when I discover I've made a mistake on a pattern, it sure would be nice to have an email list from those buyers whom I could tell there is a correction. Or the ability to ask if you want to be kept up to date on my shop info through a newsletter correspondence. Privacy rules are in place for good reasons, but etsy doesn't let you ask people if they WANT that type of correspondence from you. If I want to let people know about an upcoming sale or a new line coming out, I hope they follow me on the blog, on instagram, on facebook, because I can't really do it with the efficiency of a newsletter on etsy. Etsy essentially "owns" the contact information.
5. How it looks. Etsy doesn't look bad. But I'm a designer and I like to have more control over how something LOOKS. I like to decide the decor in my home, the way I dress, the color on my walls, along with my company logo and how my images are shown. Etsy has a pretty uniform shop setup and its not so easy to mold that to a different look or have your own branding be more important. As a design-driven company, I wasn't so sure that fit with the directions I am headed and how I want to explore my company look and presence.
6. The ability to customize. There are some options for Drop Ship, direct Print-on-demand products but its limited. Having more partners with your products and offerings? There are lots of companies that will integrate and work with shopify and some of the other online storefront platforms. More choices. More areas to grow into if you decide to. My shop is still pretty basic. But I like that it can grow and change more easily to include more options and customizations.
With all that said, I hope you understand why I opened up my RobinPickensInc.com shop which is hosted through shopify. Its my store and I can manage it more to my liking. Perhaps you are a quilter or designer and are struggling with some of the same issues I mentioned. A wonderful article about why you should consider moving beyond etsy is "Why building a business solely on etsy is a bad idea (and what to do instead) by Sarah Peterson. She has excellent points that I have not covered here and I think it is a really interesting and informative read.
I did a lot of research to make sure shopify had staying power, processed payments securely (we all know that is very important!) and was scalable and worked for larger companies who couldn't risk being an experiment. I pay to have a shop on shopify and I believe I am getting a good value for my dollar, just as I want you to have. I wondered if I would sell enough to justify the costs but I believe in a case like a business store, you have to pay for quality and security. Just make sure you are paying for the things that help YOU as a business and not just the platform company.
As I mentioned earlier, my etsy shop will still be open. But as my business evolves and I grow, my shop must be allowed to grow with me. My plan is I will have my kits, including ones I can put together with my fabrics that are out of print, listed here through robinpickens.com (linking to my shopify store) which takes you to https://robinpickensinc.com. I also hope to have some other sewing and design related products showing up soon to add some color and smile to your creative space! You can still find quilt patterns, both in print form and digital downloads through my etsy shop along with them being on the shopify store. There are currently some kits offered on etsy and I will continue to offer the new patterns. But if you want to see more of my designs and kits, sign up to stay connected to the shopify site and my newsletter and I am happy to keep you in the loop! I hope this was helpful to you and explained part of this transition. Thank you so much for your support and keep creating!
Designer of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter.
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