Week one of Sampler Spree is ON! Whew! I kept up and got 10 blocks made.

With block 42, I used a bigger mix of fabrics than the block in the book. I still made strip sets to subcut but just not as long. I'm happy with how that block turned out. With the top left light block, I used Mist Thatched and flipped it to the backside to get a lighter blue shade. 

Block 99 in the lower left is another favorite since I like how those white triangles sparkle in the corners. For this block I used a 4 1/2" rectangle that I added stitch and flip corners to, instead of the rectangle with half square triangles attached. I thought I would simplify by taking that seam out since I wasn't changing the background color.

The last two for the week are 86 and 80. I meant to put the butterfly fabric into the little squares in the middle of the block on the right and realized I used dark blue instead after sewing that part together. So guess what, it stayed! Getting to the last block of the week was an accomplishment and I wasn't going to undo that.

It is fun to look at them all together!

Susan Ache is sewing with different color groups each week and I'm doing BLUE each week so hope you don't get tired of seeing my blocks. I have to say, I am really happy to be doing this project in Cottage Bleu since I have not made many mostly blue quilts until I designed this fabric line. I think having a sampler in all blues with a little yellow and green will be really calming and serene.

I think I'll try to tuck in another block here and there, trying out the other colors, and those could make blocks for a nice accent pillow!

In case you were wondering if I am planning on doing color studies on the individual blocks...at this point I have not planned on it and the sewing is at a faster clip than blockheads...so I think I'm going to adopt a summer vacation break from color studies, at least for awhile...we'll see. Also, Sewcialites just ended and I need to still join my blocks and make the quilt top! AND...ANOTHER sewalong is starting in July that I am going to play with. I'll post about that too but it will be an all-Thatched project so very different feeling than this one.

​Happy summer sewing!!

If you've been to the blog before you probably know I enjoy doing sewalongs for quilt samplers. I love the community and seeing the different interpretations of the same block. Plus I find my motivation to "get 'er done" is higher when I have other people to sew along with. So why not add some summer fun with a sewalong?! Yup, I'm happy to jump back into the weekly community with the Facebook group from Moda Blockheads to do Sampler Spree by Susan Ache.

Sampler Spree is published by Martingale and is the book to get if you are sewing along. Susan has done a number of books- as a contributor as well as authoring them fully herself. I was first enchanted by her work in her lovely instagram feed (@yardgrl60) and enjoy seeing the beautiful quilts she creates. For this quilt, Susan is sewing in color groups but I'm keeping my colors a bit more uniform...more on that in a bit. Some of the things I really like about this project: I enjoy the little pops of fun things I see like a pear, some baskets, an evergreen tree and some boats, combined with other blocks that are purely geometric play. And I like making 6" blocks which feel so doable and cute.

Cottage Bleu fabric was a little delayed in arriving to shops. The perfect thing about that is that it is freshly in the quilt shops now and just in time for this sewalong! I'm making my whole quilt from Cottage Bleu, focusing heavily on the blues and using the greens and yellows as smaller accents. I will be following the sashing and layout that is shown in the book, although the squares where the sashing meets will be 4 smaller patchwork squares. And I'll be rotating between blue background colors.

My overall theme of the colors will go from darker blues on the perimeter, medium blues next and white to the middle. Think of light radiating out from the middle block. I mocked it up on the computer to play around with the idea and this was the one I was most satisfied with. It might look a little rough, messy, "off" to you but that is how I sometimes play quickly on the computer, with shapes I draw quickly and not so perfectly aligned and matched. 

I'm pretty excited! I haven't made many all blue or mostly blue quilts (except for my Gypsy Wife quilt with blues and grays and that was also in a sewalong) and I am just so happy to have my fabrics and see those big blue hydrangeas and yellow fluttering butterflies. The Thatched colors in Cottage Bleu that I am using for the borders are Midnight 148 (the darkest), Cornflower 147 and Mist 146 (the lightest). For the middle ring of light/medium blues, I'm planning on using Mist for all and flipping to the lighter back side for the every-other sashing to get that lightest blue shade. 

I know one of the next questions would be "how much yardage is this for each color?" and this is a computer generated mockup and not an actual yardage based file in EQ8. This is done in Adobe Illustrator and is a rough idea.
Moda so kindly put these yardage suggestions from the book page 8 on their blog:Page 8.  All yardage is based on 42" wide fabric. 

• 1 yard total of assorted cream prints for large blocks
• 3 yards total of assorted light scraps for blocks - or approx. 3 yards for a single background.
• 3.875 yards total of assorted medium and dark scraps for blocks - referred to collectively as "dark".
• 1.25 yards of white solid for sashing
• 2.375 yards of peach solid for sashing

​My best estimates based on my sashing plan is to have:
1.5 yards (one and a half) of each of Midnight, Cornflower and Mist for sashings. 
.5 yard (a half yard, in case you can't see the . decimal) of  each Midnight, Cornflower and Mist for making blocks background
.5 (a half yard) of Broken Lines from Cottage Bleu in Midnight 48694-18 if you like that on the outer sashing
1 fat quarter bundle of Cottage Bleu (and this is really a guess...you may want more of a particular print or a little extra of yardage on the hydrangeas)

So its not exact and is an estimate/best guess. The great thing about this sampler quilt is that it will look great being scrappy and having more fabric friends join in!

I couldn't resist. I had to make one and get started. Hydrangea pear anyone? 
Hope you are joining us over on the Facebook Moda Blockheads group, starting next Wednesday, June 16th.
​See ya there!

​Just a note about the giveaway I was doing with the Martingale book...I have drawn a winner and congratulations to Karen Cole! Thanks to everyone for such nice comments!!

In May, virtually we started showing the lines that would have been at a spring Quilt Market. I am happy to share my Carolina Lilies that will be shipping in November. This line started as I was thinking about my mom who loves day lilies and I know she has been waiting so patiently for me to do some with warm happy colors. She always had a mix of yellow, orange and red day lilies in her garden and I particualarly liked the ones with spots. When I saw the Carolina Lilies and their dramatic colors and big speckled petals and curved back cap shapes, I knew they were the ones!

The curve of the petals, and the hanging stamen remind me of twirling dancers with their elegant legs and ballet slippers. I've added graceful ferns, lacy leaves and a painted paisley to accompany the spotted florals. 

The colors for this line are Ruby, Peach, Grass and Aqua, with a few pops of Teal. It is a similar palette to the Painted Meadow Coneflower palette. The teals, greens and aqua especially correlate strongly with Painted Meadow.

The selvage quote is from Dolly Parton and says "Wildflowers don't care where they grow." Dolly Parton has given so much to research and vaccine development for Coronavirus. She is a fabulous example of a beautiful, creative and strong presence with the spirit of giving to others. Thank you Dolly!

With Carolina Lilies, we have five new Thatched colors to complement the collection. I am especially smitten with the deep red of the Ruby color. I'm happy to say that with wideback Thatched fabrics, the Seafoam, Cream, and Pine are wonderful compliments to a Carolina Lily quilt top.

I had a great time playing around with some existing patterns with these new fabrics. I used Emilia and love how the half square triangles and border look in both Thatched Soft Washed Black and the tone on tone cream of little vines and leaves from Carolina Lilies, as well as in the Ruby Thatched border with Toast Thatched triangles. 

I've also redone Blockstep in this new line and use Thatched seafoam, soft black, washed linen, pebble and greenery as some of the accent colors for the light and dark versions.

A new pattern for this group is Mod Flower Box. I'm showing this in both Carolina Lilies and in all Thatched. The Thatched version uses Fat Eights of fabric. The Carolina Lilies version uses yardage for the background with a single charm pack. The pattern has a template for making the quarter circle blocks but I usually use the Creative Grids Circle Savvy Ruler for cutting my curves. This is a wall or lap quilt and if you want to leave the outer border off, it can work on smaller wall surfaces or as a table topper. This unit can also be grouped with four units to make a bed sized quilt. On the Thatched version, I've used the darker Soft Black for the background and pared it with the Chalkboard Scribbles fabric for the bigger background. I like how this emphasizes the corners on the circles. 

Carolina Lilies should be shipping to shops in November. Due to the world events with the pandemic and the shortage of shipping containers, there have been delays in the past year for deliveries. Every effort is made to get things shipped on time but things happen and there are only so many resources and containers. Just know that we are all trying as hard as we can to make it happen. Your patience is appreciated so much!!

Now, back to summer and graduations and designing new lines and working with new arrivals. Happy summer. Stay safe. Stay calm. Enjoy each day.

My week with my second SEWCIALITES block is here! Celebrate "ABUNDANT"!  I've got some variations and a fun project you can make with more blocks!

I've made blocks this week from all three of the sizes- the 9", 6" and 3". In honor of SPRING arriving and Easter around the corner, I've made a project for a cheery table runner from three of the 9" flower blocks. I used the Solana fabric line for the blocks and border since it felt so happy and summery and I just could not resist some of those busy ladybugs.

One variation that I made on my runner blocks, was to make the flower base out of two strips of fabric as horizontal bands vs one body color. This allows you to add more dimension or prints into the flowers or you could make the bottom green and the top band the petal colors. If you would like to do this, take the finished size of the flower base, divide in half, then add your 1/2" for two 1/4" seam allowances on sides. On the 9" block you would use (2) 9 1/2 x 2" strips, the 6" uses (2) 6 1/2 x 1 1/2" strips, and the 3" uses 3 1/2 x 1" strips.

Each of my flowers for the runner use two strips for the base. I picked colors of peach, blue and yellow for the prints from Solana for my blocks. I also wanted to give my petals (made with the flying geese) two fabrics to suggest a little more dimension. To keep it looking like a cohesive unit, I chose stems and leaves in similar fabrics for all three flowers. ​

If you are making the flower base with two pieces as shown below, I suggest joining them first, then add your stitch and flip corner to the joined unit. I find my seams will press flatter this way (vs corner first then joining the two strips).

My runner also adds little pollen dots on top of each flower. The pollen pieces are made from 1" squares joined by background strips and that row is placed on top of the flying geese. To balance the flowers and make the bases and leaves line up when flipping, I've also added a 1" strip to the bottom of the flowers.

Each of the flower blocks are joined, side by side, with 10 1/2 x 1 1/2" strips to make the body of the table runner. A 2" border surrounds the group.

Here is my pieced top. It still needs quilting and binding but I can get that done by Easter. It adds a pop of spring to the table. I'm planning on binding in the light green Thatched from Solana.

These could be so cute as white or light colored flowers on a dark blue, dark green or purple background. Or play around with string quilting pieces in the leaves?

I also think a longer runner with more flowers that drapes over the edge of a chest or table could be nice!

But I'll just enjoy this Solana version this spring and maybe make another one later!

One more variation idea for this Abundant quilt block. I wanted to try patchwork squares within my flower to get a mix of warm pink, orange and red shades. Using the same formula for figuring out the horizontal bands for the flower body works for size of squares. This shows if you keep one a solid band on the underside of the bloom vs all patchwork squares.

This 6" sample is done with some of my new Thatched colors! The background is Chocolate Bar and the leaves are Green Curry and Olive. The flower uses Peach, Pink Grapefruit, Sugar Rose, Fuchsia, Apricot, Tangerine, Rose and Crimson. The Fat Quarter Shop is carrying the Thatched colors, including the new additional range, as well as Solana fabrics.

If you want to make patchwork squares, use 2", 1 1/2", or 1" squares for the 9, 6 or 3" blocks.

My overall Sewcialites quilt is made with 3" blocks in Thatched in grays with three of the blocks in color. For this quilt with the small blocks, Abundant is one of the color ones! The other is the heart block from Corey Yoder and the third one will be the sewing machine from Lori Holt.

Want the FREE pattern for the ABUNDANT block? It is on the Fat Quarter Shop page about SEWCIALITES!

I hope you have as much fun with this block as I am having. Keep it simple or add to the blooming delight! And thank you to the Fat Quarter Shop for organizing this sewalong and thank you for including me. Happy sewing everyone!

The last of the new patterns that accompany the Cottage Bleu fabric line have finally arrived. Wind Drifter and The Collector are now available!

I JUST finished putting the binding on the small version of Wind Drifter and have been trying it out around the house. I intended for the small one to be a wall quilt but I think it also makes a lovely table topper!

I enjoy seeing it paired with the larger Wind Drifter quilt and the combination of dark and light. The background fabric I have used on the small one is a new Thatched color in the Cottage Bleu group called Pond 48626 145. It is such a nice deep tealish green. The medium green on the small binding is Horizon 48626 144.

The large quilt is sized at 65" square (vs 32 3/4" for the small) and I've used the white/cream tonal Floral Fling print for my background fabric. It gives such a nice, subtle texture in those open spaces.
Both of these quilt directions are written for using Fat Eighths. You can use a larger, scrappier mix of fabrics as well for the half square triangles. The larger arrows are a nice opportunity to show off bigger prints.

Moda Fabrics is kitting Wind Drifter in the large size with the cream background. The kits will have triangle paper on a roll, which makes the piecing of the small half square triangles so fast! I love triangle paper. There is less trimming and they are so accurate. They make HST a breeze!

My other new pattern, The Collector, was a really fun project with vases, jars and bowls to show off pretty prints. I went with a chinoiserie feel with my vases but I also think these would be super cute in novelty fabrics like cookies and pickles and crackers in the pantry...just flip the wide vase angled top upside down and you have a wide jar with a lid instead of a vase. Is your collection of sewing items? Fill your vessels with buttons, thimbles and threads. Or maybe you like toy airplanes, marbles and jacks? So many possibilities for these collector jars. 

These vessels are arranged into sets of 2 or 3 units, then repeated. I had sewn together one strip and put it on the dining room table. Wouldn't that make an interesting table runner? 

And I used a couple extra blocks I made to make a coordinating pillow with my quilt.

The Collector is sized 67 1/2 x 65" and is also made from Fat Eighths with background and border fabrics added. This would also be a good scrappy project. Look for pieces for your vessels that are 8 1/2" high and 8 1/2 wide to fit the larger jars and vases.

The quilts shown here are using Cottage Bleu, which should be shipping from Moda Fabrics in April. This quilt also goes well with English Breakfast mini quilt with tea cups. I enjoyed a little home decor theme with this collection and had fun with those big hydrangeas in bursts of blue splendor. I hope you have as much fun as I've had with these patterns and I'll share more as other versions are done with new fabrics.

Happy sewing!

After joining my Moda Blockheads quilt tops, I felt like the scrappy version needed something a little extra and fancy to go with all those prints and prettiness. I thought a border based on flying geese and little squares provided a nice "fringe" to play off the rows and colors.

From computer plan to quilt top, I think it went pretty much as planned. I wanted to follow the dark to light scheme and reflect that in the flying geese and squares. I've changed colors as the rows have changed from blue to green to orange and so on. 

The flying geese on the sides are in pairs with the same sashing width between pairs. Along the bottom, as the blocks are side by side with no sashing separation going across, so are the flying geese. 

My blocks were the 8" size. Therefore my flying geese are 2 x 4 finished size. The spaces between the 1" finished squares are 3 x 1" and with the sashing spaces on sides, those are 1 x 41/2". 4 x 4" squares go in the corners and 2 1/2" borders line the outsides (all finished sizes. Cut sizes are marked on diagram as well).
The flying geese with 1" sashings are added to quilt top first. The bottom and tops have the 4 x 4" added when attaching those. Small squares with background rectangles and outer border are added next.

The fabric I have use for the sashings and borders background color is Modern Background Paper 1581 11 by Zen Chic. It is such a nice low volume background fabric.

I like to see the difference of how the little squares and flying geese look in the darker values vs the lighter shades. 

I also like to see the differences in the scrappy fabric quilt top vs the all-Thatched version. I think the border on one and not the other will help to create differences between the two, as well as different quilting. Another change between the quilts is I used piecing for most of the applique blocks on the all-Thatched version. The scrappy quilt used the applique designs. Notice the darkest blue and green blocks have the original designs for flowers and birds and birdhouse. The Thatched quilt has pieced blocks from Joanna Figueroa of the tulip, house and posie (which replaces the applique rose that I used Abby Rose fabric for).

Sometimes the fabric choices for scrappy provided a different mix of light and dark so I rearranged some blocks within rows between the two types of quilt tops. The blue row especially flipped positions of some blocks.

I liked adding the little bird in the center of the Fixer Upper block from Vanessa Goertzen. Small peeks of color help to tie the gray blocks in with other rows. 

Time for quilting on these tops. The finish line is in sight! Hope you are having fun with wherever you are in the process!

56 Weeks of sewing fun. I've been busy adding blocks together to make my rainbow colored rows. But one block was missing...that final block. Joanna Figueroa from Fig Tree & Co. is our final blockheads designer to wrap it all up. Thank you Joanna for your lovely "Star Dance" block! To get to Joanna's blog with the free pattern, click on the gray bar below. But keep reading if you want to see my color study and how my TWO quilts have come together!

Flying geese and squares to make sparkly stars. A number of my patterns such as Showering Stars, Little Star Shower, and Constance, use stars like this. I liked how Joanna's version also played with the very center square in the overall composition in a color or print too. Let's take a look at a couple of color studies.

My last block belonged in my blue row so that was my starting place. Light, medium and dark blues with subtle variations between the stars. It could be fun to play with black for the background (or starting rectangle of the flying geese) and I love how the white really pops in contrast. The white and black backgrounds make new shapes within the block. The left middle image uses a mix of medium and dark blues on some of the geese corners, positioned so it looks like the colors run diagonally through the block. And the last image creates arrows pointing to a glowing center.  

After designing Cottage Bleu (shipping in April) and adding new Thatched colors, I have more blues in my Thatched range now. I have used a few from Cottage Bleu and used back sides as well for lighter shades. 

When making my print blocks, I used blue prints from Abby Rose. The plaid fit nicely into the centers of the four stars and I decided to use a different print for the center with my light background and roses.

If I were to make another one of these blocks, I would try the blue hydrangeas from Cottage Bleu. For this particular print quilt, I felt the warmer blues from Abby Rose were a cohesive color group with the other surrounding blue blocks. Here is an image of the rows joined together on my mixed prints/scrappy version. For the sashings on this print/scrappy version, I've used Modern Background Paper from Zen Chic. It is one of my favorite low volume fabrics to use.

On my print version quilt, I chose to do applique on the weeks that Jan Patek and Jen Kingwell had their  sweet designs. Last year I did all pieced blocks so this was a change for me. I still seem to resist doing turned edge applique and find my happy place is with the fusible raw edge applique. 

I think my favorite of the appliques is the bird on the upper left, dark blue. I added and extra flower or two and more white dots. They make me think of little white baby's breath in a bouquet. And for the "rose" applique week, I chose to cut out one of my Abby Rose blooms instead of the template shapes. 

How perfect is it, that the block that says LOVE was actually pieced by my mother? She was visiting a year ago January when it was the week for that block and she helped me out. Then the pandemic and quarantines started and I have not been able to see her in person since then. So I am especially happy to have a little bit of her in this quilt!

The little bird in the middle gray block is one I had not shown yet. It was a block I did late, catching up one weekend. It is the Fixer Upper block from Vanessa Goertzen and I liked it as a framework around my birdie friend.

I love to see how the light comes through when a quilt top is hanging on the frame, before it is quilted. It looks like stained glass and the colors almost glow!

I started this project with a few design parameters I set:
1. Horizontal rows of color (rainbow-like rows), separated by a simple white line. 
2. Each of the rows would use gradations of the color to go from darker shades on the left to lighter shades on the right.
3. I would make TWO quilts, one with all Thatched basics and one with a mix of Thatched and colored prints from my collections (with some other designer's goodies added in there too) for a scrappier look. This was to see how different or how similar the quilts ended up looking by the change in prints.

So how about that all-Thatched one?

I must admit the vibrancy and saturation of all that color was surprising to me when I got it all joined together. I was glad I graduated color to the lighter right side so it was not too overpowering. I used the Thatched Cream 36 for my sashings. 

Instead of the applique blocks, I used pieced alternatives from Joanna Figueroa. The upper left has the tulip block, house block and another flower posie. I did keep two applique blocks- the Bachelor Buttons from Jen Kingwell since it felt so graphic, and the Bee Skep from Jan Patek. My sister likes bees and having this block reminds me of her. So now I have a mom remembrance and a sister remembrance in my quilt.

Its hard for me to say if I like one version of the quilt better than the other. I will keep some things different as I finish these, using different pantographs for quilting them, and I'm also thinking about adding an additional little decorative border around the scrappy/print one. I like the Thatched one being simpler with no outer border. 

I am happy to come to this finishing phase of Moda Blockheads, but I'm also sad that it is ending. I know the connection and sewing along is so important during these strange and unpredictable times. So I made the decision to join in on sewing along with "My Favorite Color is Moda" because of course I need another project! I think the quilt design and colors they have suggested are beautiful! I hope to see you while sewing along with that!

The resource link to all the free block patterns from this Moda Blockheads sew along- archived at the Moda website:

Wine Not! from Jen Kingwell is an easy block this week with a lovely diamond shape. This block looks great square or set on point. This is the very light end of my brown row and the soft warm colors look calm and comfortable.

In playing with the color studies, I liked how the shapes can have a strong arrow form or emphasize the outer diagonals or the inner quarter square triangle center. The last one feels a little dimensional with the center having light and shadow as if it were a pointed pyramid triangle.

For my pieced all-Thatched version block, I used a couple of my new shades that are shipping at the beginning of February. The center dark brown is 164 Chocolate Bar and the light tans are 156 Toast with the lighter 158 Washed Linen.

My print version uses a fabric that has been quite prevalent in my brown row, Ombre Confetti from V&Co. The ombre gradations make it easy to find the light and dark levels you want within a block while keeping the colors harmonious. I love those little pops of confetti!

Pop on over to Jen's blog for her Wine Not! pattern. 

And since I'm sharing brown blocks this week, here is one I did last weekend to catch up on a missed week. It is Intersection from Stacy Iest Hsu in Thatched and Solana.

Next week is the last block and then it is time for joining and finishing. I love seeing what you all are piecing together on the facebook page. Keep sewing!

To celebrate the new colors of Thatched basics that are joining the group, I've got a FREE mini quilt pattern to share! Here is "Radiance Bloom"! The pattern PDF to download is further down on this blog post, so keep reading.

This mini quilt finished at 12 1/2" x 17" and is made from a MINI CHARM PACK and background of one FAT QUARTER. Add another fat quarter for the binding and one for backing and you have a fun flower ready to bloom on your wall. I called it Radiance Bloom since the petals seem to radiate out from the center. 

I love to collect Mini Charms with their sweet size of  2 1/2" squares. When paring them to make half square triangles, you end up with 1 1/2" finished blocks. I wanted to show off the new pretty colors that Moda Fabrics just added to Thatched, which created a warm and spicy colored mix of petals. Since I didn't have an actual Mini Charm yet, just some sample swatches, I cut my pieces to the 2 1/2" size to start. But I love that this part would be so fast with a precut pack of those squares. 

I think of these as almost fall-like colors and think it would be fun to do a mix for a spring flower, summer flower or winter flower. I love the new color called "Chalkboard Scribbles" and mocked one up on the computer using that as my background and my petals in Blizzard White, Washed Linen and Toast. This is the Radiance Bloom I will make next! I also think this would look fun with the background in Washed Linen as shown on my initial printouts. I can't wait to incorporate this more into some of my future blocks as a nice light neutral color.

And since I'm playing with it...how about a night time blue (this one on the lower right has a background of Dark Washed Indigo) with blue petals glowing in the moonlight? The stem is Green Curry and Olive and the petals are Forget Me Not, Periwinkle and Dutch Iris.

I hope you have fun playing with this fun little free pattern. Maybe even make a row of flowers in the garden with multiple blooms! My friend Pam (from Serendipity Woods) will be sharing an adorable scrappy bloom she made too from this pattern, so check her feed on instagram in the coming days (@serendipitywoods) and I'll post my winter one as soon as that is done (@robinpickens). Plant some color, enjoy some new Thatched shades, click on the PDF link right below to get your pattern and HAPPY SEWING!
​-Robin

Happy Moda Blockheads Wednesday! Janet Clare brings us this week's block "Windmills" with a fun pinwheels in a group of 4 blocks. I like how the block can be rounded off forms around the pinwheels or emphasize those corner points to change that outer shape. The second one reminds me of ribbons running through the center of the block with sparkly quadrants. The third one has depth in the corners within the 4 centers from the dark and light focused to the outer corners. The last one is a colorful party of windmills!

My blocks were cut out before I did color studies so I stayed pretty close to the original layout. This is the last one for my orange row and I wanted to mix in some yellow for the lighter range, and dark Tangerine for the darker range. 

My Thatched fabrics show off the flip side for the pale orange rectangle sides. I used triangle paper for making my HST. With 32 HST per block, and 2 blocks, it seemed best to simplify my colors for those elements and use the papers so I didn't have to do extra trimming.

Fabrics from Abby Rose bring in the orange prints on my scrappy block. I stayed with consistent orange/yellow HST from my first block to be most efficient with the HST making. The rectangle sides were the place to swap out prints to play with my Thatched fabrics.

Hop on over to Janet's blog for the pattern this week and have fun with windmill motion and HST fun!