Stop by Janet Clare's blog for this week's Moda Blockheads pattern, Hampshire Star. I still have a few green blocks left to go in my green row so I'm working in that color family, towards the lighter end of my row (I'm going from darker to lighter in my blocks).

I made my blocks similar to the layout of lights and darks that Janet showed in her pattern. But what would it look like if we played with those half square triangles with our color and light/dark placement?

The first image follows the Hampshire Star layout. The second image treats the top, bottom, right and left middles like ribbons or banners with blue and green sides and triangles that play with sparkly light and dark. I emphasized an additional triangle within the inside corners with a darker olive color. The light and dark variations within the colors reminds me of cut crystal. On the bottom row I played with a darker color being in some of the background pieces. This can define the space with more of a suggested diamond center and more shapes created on the outer parts of the block. These blocks might not be considered Hampshire Stars anymore because of how the pieces are colored but I sure think they are interesting. I especially like how the image on the lower left reminds me of petals or interlocking oval rings. Wouldn't that be fun as a really large block? 

These layouts played with the half square triangles...but when I planned out my block I thought I could make a few less pieces (as well as less seams and points to match) if I used some flying geese pieces for some of the block. I still pieced my block in rows but used more flying geese and rectangles.

If you want to use flying geese I provided some sizes of pieces. This uses the one-at-a-time method with stitch and flip corners to make each flying geese unit.

These are my blocks- one of all Thatched. One of Thatched and other prints. I used three coordinates from the Abby Rose collection for the scrappier version. Since I am working on the lighter end of the row of green blocks I thought this would be a good time to try some Thatched fabrics flipped to the back. This shows the lighter range of color. From the back side the colors have a soft, light, chambray look.

I also enjoyed a subtle change in the background on some of the flying geese in the Abby Rose version so I see a hint of a plus sign surrounding the center (the curvy pollen dance lines on the 4 sides).

Check out the other Moda Blockhead designers to see their Hampshire Stars! Thanks Janet!
​Corey Yoder - https://corianderquilts.com/
Sherri McConnell - https://www.aquiltinglife.com/
Betsy Chutchian - http://betsysbestquiltsandmore.blogspot.com/
Jan Patek - http://janpatek.blogspot.com/
Brigitte Heitland - https://www.brigitteheitland.de/blog
Lisa Bongean - https://lisabongean.com/
Lissa Alexander - http://modalissa.com/
Laurie Simpson - http://minickandsimpson.blogspot.com/
Vanessa Goertzen - https://lellaboutique.blogspot.com/
Stacy Iest Hsu - https://www.stacyiesthsu.com/blog/
(Me) Robin Pickens - https://www.robinpickens.com/
Janet Clare - http://janetclare.co.uk/blog/
Jen Kingwell - www.jenkingwelldesigns.com/blog
Joanna Figueroa - https://blog.figtreeandcompany.com/

Betsy Chutchian's block this week, Crown and Star, reminds me of arms reaching out with spread hands, bursting with joy. You can get it on her blog at http://betsysbestquiltsandmore.blogspot.com/. I've decided to make my center with a dark pine square, surrounded by white star points on peacock for more contrast. The outer perimeter uses the chartreuse and sprig colors, similar to last week's block HSTs. 

This is another one for the green row in my quilt top layout plan. This block falls on the darker range and uses more color and less white/cream. From the instructions, I deviated a tiny bit and made my flying geese units using a stitch and flip method, trimming off the corner after sewing, instead of cutting the side squares into triangles first. There is more waste with the fabric this way but the pieces are not that large so I don't feel bad throwing those cut pieces away. I'm making the 8" blocks, so my flying geese are made with 1 1/2" x 2 1/2" rectangles for the base and 1 1/2" squares for the geese triangle sides. 

My print/scrappier version of the block keeps the Sprig color as my background fabric but I'm using the Stem Plaid from Dandi Annie in green for the outer crowns. The teal color is from Dear Mum and the center is a mistletoe branch from Splendid. I like a little pop of red to tie in with some of the red blocks. 

In my overall scheme, I have three blocks made that make up two greens and one red in my rainbow grid. I'm looking forward to getting more filled in and working out the progression to more white or cream as the blocks progress to the right.

Happy sewing and share your progress on the facebook Moda Blockheads 3 page or tag your blocks on Instagram. Thanks Betsy for a wonderful block! Check out the other designers and their progress too:
​Corey Yoder - https://corianderquilts.com/
Sherri McConnell - https://www.aquiltinglife.com/
Betsy Chutchian - http://betsysbestquiltsandmore.blogspot.com/
Jan Patek - http://janpatek.blogspot.com/
Brigitte Heitland - https://www.brigitteheitland.de/blog
Lisa Bongean - https://lisabongean.com/
Lissa Alexander - http://modalissa.com/
Laurie Simpson - http://minickandsimpson.blogspot.com/
Vanessa Goertzen - https://lellaboutique.blogspot.com/
Stacy Iest Hsu - https://www.stacyiesthsu.com/blog/
Janet Clare - http://janetclare.co.uk/blog/
Jen Kingwell - www.jenkingwelldesigns.com/blog
Joanna Figueroa - https://blog.figtreeandcompany.com/

Lets get started with Moda Blockheads 3! Our first block is designed by Corey Yoder and is called "Star Chain." I mentioned in my posts before that I was going to use Thatched basics for making my blocks. This first block is using Crimson 43 for the background red. Outer center triangles are Rose 13. Dark pieces are Cranberry 118 and the light pink is the Thatched print that went with Dandi Annie. 

I'm trying to do my blocks in both Thatched-only and in Thatched mixed with prints from some of my collections. The first block I made was the purely Thatched one and I had a few stumbles along the way. For the second block with the prints I READ THE DIRECTIONS and was able to make a more accurate block.

I found it hard to know where to line up my triangles for the center point when adding them onto the diamond square. I have to admit I often like to take the short route and I don't pin much. My "guesses" on mid point when adding the second triangle sometimes left me with uneven pieces and sides for sewing seams.

Perhaps I could have found some tips by googling it or something, but I resolved my issue by finger pressing two sides of the square in half, and the long end of the triangle in half, before joining either. That way, once the first triangle was added, I already knew where the triangle and square center point was to line up the next piece accurately. AND since I ended up ironing out the finger presssed crease after attaching the first triangle, I decided making a pencil mark was a better way to mark the square.
This gave me a MUCH better result with even edges. 

With the second block I also followed Corey's arrows to show which direction to press the block pieces. The entire block lined up well when I finally followed those instructions! However, I still added one whole row to the top upside down and had to rip that out and flip it to the correct side. I figure I'll make all my errors on the first blocks, right? Somehow I have a feeling I will be friends with my seam ripper numerous times as I embark on this journey. But that also means I am learning and stretching my skill set to new  levels. I think it a universal understanding of quilters that mistakes, um, I mean "opportunities" help to make us better quilters. 

Check back next Wednesday for my Thatched and Thatched/scrappy blocks for week 2. If you want more info on my colors and my overall plan, check out yesterday's post My Plan for Moda Blockheads 3. And visit the other Blockheads 3 designers to see their blocks and progress too!

I've had a number of requests for showing Painted Meadow fabric in my Joy and Delight quilt design. I love the ease of the computer to try out a few things so lets have some color and print fun! I designed Joy and Delight with my Christmas collection, Splendid. I showed it with the blocks alternating two prints OR in a version with the large block centers using a Layer Cake for a scrappier look. With this exercise in color play, I'm staying with the scrappy Layer Cake assortment.

I'm starting with some of my favorites (I think) because I really enjoy how soft and pretty these can look in this more pastel palette. The above quilt shows the snowflakes in the borders in pink. So now I can feel free to call them sparkle bursts instead of snowflakes. They have a sparkly decorative feeling. Of course you can make this quilt without the border sparkles but I think they do add a layer of twinkle (or pixie dust??) to make those borders feel special.  Below is a more close up view to see the softness of the sparkle bursts in a light color. Also the framing around the blocks is shown in pink (below) vs light green (above).

A little more exploration of pinks...lighter to the deeper pink. With the lighter pink background I used dark pink framing and border sparkles. When using a darker frame around the blocks, I like to switch the small squares in between to a light color for more contrast and the color sparkle of the white accents (see, more sparkle!). With the dark pink I went back to the pop of the cream frames but made my border sparkles even darker red. 

I enjoy the more dramatic tealish blues of Painted Meadow and thought it would be fun to see some blue stories. A deep midnight blue frames the squares in this first one.

And on this version I wanted to add a soft khaki or light tan for the frames. I think the addition of the neutral natural light tan gives this an entirely different feeling and is a nice compliment to all the color in the blocks. There is something so restful and calm about this color combination.  

Hope you enjoyed a little color play with Painted Meadow and this helps in visualizing quilt plans! If you are interested in Joy and Delight, it is shown in Splendid in my shop.
Happy sewing!

I was so honored that Katja Marek asked me to participate in her instagram book tour for her book, The New Hexagon 2, published by Martingale. This is a second book on hexies, after her popular The New Hexagon. I love the image on the cover here so much! First off, that color palette of greens and teals is stunning and her layout of large and small blocks to make the diamond shaped sashings creates such a wonderful movement within the quilt top.

Katja named the blocks after women she admired and I was so honored that she selected me for one of the blocks! Thank you Katja!! I certainly admire what she has created as well. And I appreciate how thoroughly and well she explains English Paper Piecing in this book with photos and tips that make a difference. 

So meet the ROBIN BLOCK! It is block number 7 in the book and is a 12" size, one of the larger blocks. I appreciate having that fun center triangle for putting in something with some fussy cutting. All those rays would look great with fussy cutting too but I decided to make mine with an emphasis on one of my bees and coneflower centers in the middle.

I used my Painted Meadow fabrics to make my blocks since it recently landing in quilt shops. I keep thinking that this block would be great as a lion face (embroidered in the center?) with the rays being a gold lions mane. Or with a graphic sun? I think you could have so much fun with this one.

Say his to my bumble bee! She's nice and plump and busy in the garden.

If you want  a copy of Katja's book, give some love to your local quilt shop and see if they have it! If they don't, you can follow these links at the bottom of this post to find her new one as well as the original The New Hexagon (also by Katja Marek).  If you'd like to visit the other designers and quilters on instagram that joined in on the book tour, check out the list below. There were giveaways, which are closed now, and I hope that everyone who won a book has a happy sewing journey with their hexagons.
​On INSTAGRAM:
@katja_marek @karenburns1 @martingaletpp @paperpiecesepp @modalissa  @kim_brackett @robinpickens @alisonglass @la_casetta_nel_bosco @allie.and.me.design @quilterpatsloan @lynetteandersondesigns @gailpandesigns @sewmorequiltsmom @poppyprint @stitchpublications @stashlabquilts @meghawkey1

Today I put the last border on my Bird Talk quilt and I was so happy since I've been doing it in little bits and pieces, here and there. One night I will think "okay, I can get all the bird legs done" and another night I assemble the cardinal. Chip away at some leaves...little by little. I had help too with Olivia, who came and calmly cut and pieced leaves and leaf stalks while I filled pattern orders and dealt with computer things. 

This has been a happy quilt to make. I don't know why, but birds are just so cheery. Maybe it is because I am named after the first bird of spring- Robins hopping along on the lawn with bits of snow still sticking but signaling that spring is indeed coming. Or maybe it is that I love to see the birds jump around and play with each other in a teasing way on the branches of the trees outside my studio window. Whatever the reason, birds just seem free, colorful, light and full of chatter.

I did start by making birds first. Then leaves. Then border. Then joining it all. The pattern itself is not overly difficult. It is made from patchwork simple piecing, half square triangles and some flying geese. You just have to pay attention to cutting a variety of sizes. I suggest labeling them with some post-it notes as you cut them out. If you want o make scrappier pieced sections of border, combine more smaller pieces into the larger size of block or rectangle for backgrounds. 

Wouldn't this be fun with all Blue Jays, or black birds with fall colored leaves? I think this will be really fun to play with pattern and color on other versions. This version was made with Thatched Basics by Moda Fabrics. Some of the differences in colors are subtle- for example, there is a light red, medium red and dark red. You could use all one red, but the differences in value help to define wings from underbelly from top of bird. This could be a great place to experiment with ombres too- Hmmmmmm, I'm wondering the effect I could get with those!

This quilt is a lap size, or a twin with the border. This is the first time I have done a decorative, pieced border and I am really liking how it works with this particular quilt. I wondered if the border would be too much, but now that it's done, I am quite smitten with the border and am looking forward to doing other versions with it. 

This quilt is easy to make with a combination of fat quarters, fat eighths and some yardage. I will be sizing it down to half scale for a wall quilt, hopefully by the start of quilt market. I had to make a decision on pattern sizes and the pattern itself is a 5 1/2" x 8 1/2" booklet (the size of my other patterns) but its 14 pages of instructions to include what you need for cutting, piecing and borders. I could either make a larger pattern at twice the price and include two sizes, or do two patterns at specific sizes at my normal price (its too much info to put both sizes into the small format booklet). I figured most people would know the size they want to make and appreciate not spending more on the pattern, so two patterns it is. I appreciate knowing if this works for you or if you'd rather spend more and have both sizes together.

This bird family is off to the longarmer tomorrow. Stay tuned for the smaller one!!
Happy quilting! And for more Thatched fabric patterns, check out my shopify store!
​Robin

The Moda designers had a fun project for the Spring Quilt Market this year. A group of us designed 18" block patterns to give to local quilt shops to use during this National Sewing Month. 18 inches is a substantial size for a single block and leaves room to play with fabric and combine several shapes and sizes into a layered composition.

At the time of designing my block I was working on my Picket quilt with it's stitch and flip sides that make up the picket fence border around the quilt perimeter. I liked playing with this shape and how it also suggested flower petals, especially when grouped around a central square. 

I call my block "Full Bloom" because it reminds me of the petals in a fully open flower in a grand display. The petals are separated by sashings to give more definition and color play in your piecing while dividing the space in an interesting way.

For a schoolhouse session at Market we showed our blocks. I made up two blocks using my new collection (shipping in October 2019) of Painted Meadow. Coneflowers in paisley shapes, textures, little sprigs, all make up the blocks in this composition. And I could not resist doing a little fussy cutting and making one of my fat bumble bees the center of a bloom. Perhaps this bee is looking for pollen in the center? These blocks are not quilted yet and I'm still deciding if I'm going to make pillows or work these into a quilt top.

I like to experiment on the computer with the blocks and what it looks like made up different ways. With this block, the corners could be more valentine-like with hearts (like the top left image) and a hashtag center. Or maybe the center is surrounded by darker colors to set it off in contrast. Multi-colored blocks (lower left)  have a different feel from monochromatic blocks that play with values of light and dark.

Studying what happens with light and dark values is interesting when you have all these rectangles that continue across the block. You can have mid-range tones that suggest overlap and transparency, or sashing  lines that stay solid and strong. Some look like woven plaid. Others are radiating light or dark from the centers. I love the different look and feel you can get from one block with this play of light and dark. Wouldn't it be fun do do a monochromatic quilt just exploring these light and dark relationships?

If you want to make a block with a big fuzzy bumble bee, like the one above, look for the Painted Meadow collection in October. Painted Meadow has corals, red, greens, teals and pinks. Or use solids with a range of light and dark values. Or go completely scrappy with enough room in those squares for some good fussy cutting. Whatever you make, I hope it is fully blooming and glorious! Check out this link for the FREE pattern and please visit your local quilt shop to see if they have projects with these 18" blocks!
Robin Pickens 18" Block 

Visit the previous designer's blog posts and the future posts to see more 18" block fun! Here is the schedule and links to their blogs:
9.23 - Lella Boutique and Sherri & Chelsi
9.24 - Kansas Troubles and Corey Yoder
9.25 - Crystal Manning and Me & My Sister
9.26 - Jan Patek  
9.27 - Robin Pickens (me and here is the pattern!)
http://www.unitednotions.com/blog_mi_KC2019_robin-pickens.pdf
9.30 - BasicGrey
10.1 - Betsy Chutchian and Lisa Bongean
10.2 - American Jane
10.3 - Kathy Schmitz
10.4 - Zen Chic and Deb Strain

I'd love to see images of things you make with your blocks! Do you make a sampler with all the designer blocks? A table runner with a set of three or four? A pillow or mini wall quilt? Have fun sewing and share with us!

Sometimes I just like to sew. You know, the hum of the machine. The forward motion and progress. Adding piece after piece in a rythmic order and just getting into my zen place of calm at seeing rows of color and pattern coming together. KYOTO STEPS takes me to this zen place.

This quilt is easy to make- a logical cutting scheme and straight sewing- but still has a richness of activity and proportions. It is designed to allow some large prints to have a bigger block (yes, my common theme to show off my large florals) that are more centrally located. Then think of the other blocks as steps that skip and hop away from the center in light and dark.

I just love the quilting on this one. I want to rub my hands over it and feel the texture of those fans! Marion Bott (@bottmarion on IG) did a fantastic job with adding the perfect layer of textural dimension to this quilt. The fabric here is from my Painted Meadow collection (shipping October 2019) and I made sure some of my fat bumble bees made it into the large blocks. I also put the large pink print with big Coneflowers on the back of the quilt so there would be lots of drama and excitement when you turned it over.

I must admit I really don't like making quilt backs. And I REALLY don't like trying to match a print on a seam when making a back. I'd much rather add a panel down the middle so I don't have to see an unmatched print and use some extra pieces of fabric I have. In this case I made another row of rectangles from leftovers from the quilt top and ran it down the center. I think its stays in the style and spirit of the quilt front and gives a fun interest to the back.

Kyoto Steps looks serene in these teal and green colors. This is a scaled down version of the quilt with slightly smaller rectangles. This lap version still gives plenty of room for a big print to shine while playing with those rhythmic rectangles. Sally Corona (@coronaquiltworks on IG) quilted this one in fabulous hexies. Quite a perfect shape with this chair!

For this quilt I chose a Moda Bella Solid for the backing- I believe it is Pistachio. I wanted to keep it serene and calm but with a pop of color! I like the way the painted lines coordinate print in the Painted Meadow collection make a good binding with subtle stripes of teal, green, deep red or saturated pink color families.

KYOTO STEPS is written for three sizes- Lap 58" x 67", Twin 74" x 89", and Full/Queen 97" x 93". The placement of the rectangles is diagrammed out to make it easy to replicate this spacing of blocks. The quilt is made with 6 half-yard cuts plus background if you are making the Twin, mostly 1/3 yard cuts for the Lap (but get 1/2 yard if your main print is directional like mine is) and a mix of 2/3 and 3/4 cuts for the Full/Queen (also adding background yardage to the Lap and Full/Queen). 

If you want to make this in a scrappier way, you can use mixes of Fat Quarters for your pieces. If you are using a Layer Cake, the scaled down size of the Lap will work for those 10" pieces. This quilt is suitable for more beginning quilters.

You can find KYOTO STEPS along with other patterns from the Painted Meadow release at my shop and the patterns are shipping to local quilt shops with the fabric collections! 

The original inspiration for this quilt was a caned back to a chair I saw at a yard sale. I thought it would be fun to replicate that woven look with center octagons in fabric. As I was laying it out, the design was becoming a bit too busy and challenging. It needed simplification so the lines did not compete with the prints on the fabrics and so I wouldn't tear my hair out! My happy ending place was this center part of Picket, with white triangle corners meeting each other, suggesting the continuation of line and an almost mosaic-like feel.

As I was playing with the shapes, I loved how the triangles played together and with some of my diagrams, the flying geese ends started to make their own statement. By lengthening the strips, they suggested picket fence posts (but not too long to be overly literal). The pop of white against a colorful border gave that additional chance to set the mood with color.

Picket is designed to be made with either a layer cake (or any mix of fun scrappy 10" blocks of fabric) OR with fat quarters. I like using the fat quarters to get a good mix of fabrics but still have repeating prints and to select my fabrics to tell a color story. The two lap quilts here have color themes of pink/coral/red and blue/green/teal. They have such a different feeling based on the warmth or coolness of the fabric colors. 

For the layer cake version of Picket, I auditioned quite a few colors for the border and centers of the X blocks but I kept coming back to this Moda Bella Solids Spray color. There is something so fresh about it and I loved how it popped with the teals and greens and reds.

The quilt is made up of Snowball and X blocks, set on point. It's really pretty fast to make once you get in the groove of the blocks. I make up all the Xs, all the snowballs, then play with arranging them. Then at the end, I get to enjoy my colorful garden all surrounded by my picket fence. 

I'm so happy to have had a lot of helpers on these! The large quilt was pieced by Susan Vaughan @thefeltedpear and was longarmed by Marion Bott @bottmarion. The lap quilts were pieced by Danica Willig @danicawilligdesigns and longarmed by Sally Corona @coronaquiltworks.

Check out more patterns made with Painted Meadow (and yes, Painted Meadow is shipping to shops in October 2019 from MODA FABRICS!) at my shop!

Chunky leaves in curved friendly shapes with graphic triangular blooms. Say hi to Beanstalk! This is a leaf/vine quilt made with Painted Meadow fabrics. The selection of fabrics and instructions use fat quarters for the leaf and bloom prints. The green stems and background are indicated as yardage.

I wanted some growing, garden themed quilts. Beanstalk and my Picket quilts were a direct reflection of the desire to marry plants and quilts.

Beanstalk has chunky, curved leaves made with 4" radius quarter circles (8" full circle size) that make the gentle sides of the leaf shapes, meeting half square triangles to finish off the leaves. You can play with the leaves by putting all dark colors to the bottom for a more shaded look or doing scrappy piecing with color and light/dark values. 

The Beanstalk pattern comes with a paper template to make the curved blocks. However, I made the blocks for this sample using the Creative Grids Circle Savvy Ruler and I recommend it! Cutting circles with a ruler like this makes them so accurate and easy to sew together. I also have a number of Drunkards Path and quarter circle rulers in different sizes and one of the reasons I like this Creative Grids one is that it has ALL the sizes I use in one ruler! I can design with it, try different sizes with it, and translate a pattern for applique vs piecing with it too (different sizes minus the seam allowance).

When I started the plans for this quilt, I thought I would make it in only green shades for the leaves. But then I mocked it up with the teal and red shades and loved the graduation amongst the color families. It reminds me of fall and changing leaf colors. I think the reds add a lively touch!

Because I try different blocks to figure out my sizing, I usually make a variety of sample blocks. It seems like such a shame to waste these so I try to incorporate them into the backs of my quilts when I can. For this Beanstalk quilt, I used leaves that were too big and too small and a larger bloom as a pieced block in the center of my backing. 

This quilt was longarm quilted by Marion Bott and the pantograph is a Sand dollar design. I love the pretty flower shape and the orange peel structure of this design. It makes such a lovely texture on the quilt!

I'm trying to decide what Beanstalk quilt will be next-  one from Thatched basics? One with grays and muted colors? I'm not sure but I'm looking forward to planting a new Beanstalk! Visit my shop for this pattern and more that are made with the Painted Meadow collection from Moda Fabrics (shipping October 2019 to quilt shops). Happy sewing!