The Moda designers had a fun project for the Spring Quilt Market this year. A group of us designed 18" block patterns to give to local quilt shops to use during this National Sewing Month. 18 inches is a substantial size for a single block and leaves room to play with fabric and combine several shapes and sizes into a layered composition.
At the time of designing my block I was working on my Picket quilt with it's stitch and flip sides that make up the picket fence border around the quilt perimeter. I liked playing with this shape and how it also suggested flower petals, especially when grouped around a central square.
I call my block "Full Bloom" because it reminds me of the petals in a fully open flower in a grand display. The petals are separated by sashings to give more definition and color play in your piecing while dividing the space in an interesting way.
For a schoolhouse session at Market we showed our blocks. I made up two blocks using my new collection (shipping in October 2019) of Painted Meadow. Coneflowers in paisley shapes, textures, little sprigs, all make up the blocks in this composition. And I could not resist doing a little fussy cutting and making one of my fat bumble bees the center of a bloom. Perhaps this bee is looking for pollen in the center? These blocks are not quilted yet and I'm still deciding if I'm going to make pillows or work these into a quilt top.
I like to experiment on the computer with the blocks and what it looks like made up different ways. With this block, the corners could be more valentine-like with hearts (like the top left image) and a hashtag center. Or maybe the center is surrounded by darker colors to set it off in contrast. Multi-colored blocks (lower left) have a different feel from monochromatic blocks that play with values of light and dark.
Studying what happens with light and dark values is interesting when you have all these rectangles that continue across the block. You can have mid-range tones that suggest overlap and transparency, or sashing lines that stay solid and strong. Some look like woven plaid. Others are radiating light or dark from the centers. I love the different look and feel you can get from one block with this play of light and dark. Wouldn't it be fun do do a monochromatic quilt just exploring these light and dark relationships?
If you want to make a block with a big fuzzy bumble bee, like the one above, look for the Painted Meadow collection in October. Painted Meadow has corals, red, greens, teals and pinks. Or use solids with a range of light and dark values. Or go completely scrappy with enough room in those squares for some good fussy cutting. Whatever you make, I hope it is fully blooming and glorious! Check out this link for the FREE pattern and please visit your local quilt shop to see if they have projects with these 18" blocks!
Robin Pickens 18" Block
Visit the previous designer's blog posts and the future posts to see more 18" block fun! Here is the schedule and links to their blogs:
9.23 - Lella Boutique and Sherri & Chelsi
9.24 - Kansas Troubles and Corey Yoder
9.25 - Crystal Manning and Me & My Sister
9.26 - Jan Patek
9.27 - Robin Pickens (me and here is the pattern!)
9.30 - BasicGrey
10.1 - Betsy Chutchian and Lisa Bongean
10.2 - American Jane
10.3 - Kathy Schmitz
10.4 - Zen Chic and Deb Strain
I'd love to see images of things you make with your blocks! Do you make a sampler with all the designer blocks? A table runner with a set of three or four? A pillow or mini wall quilt? Have fun sewing and share with us!
Sometimes I just like to sew. You know, the hum of the machine. The forward motion and progress. Adding piece after piece in a rythmic order and just getting into my zen place of calm at seeing rows of color and pattern coming together. KYOTO STEPS takes me to this zen place.
This quilt is easy to make- a logical cutting scheme and straight sewing- but still has a richness of activity and proportions. It is designed to allow some large prints to have a bigger block (yes, my common theme to show off my large florals) that are more centrally located. Then think of the other blocks as steps that skip and hop away from the center in light and dark.
I just love the quilting on this one. I want to rub my hands over it and feel the texture of those fans! Marion Bott (@bottmarion on IG) did a fantastic job with adding the perfect layer of textural dimension to this quilt. The fabric here is from my Painted Meadow collection (shipping October 2019) and I made sure some of my fat bumble bees made it into the large blocks. I also put the large pink print with big Coneflowers on the back of the quilt so there would be lots of drama and excitement when you turned it over.
I must admit I really don't like making quilt backs. And I REALLY don't like trying to match a print on a seam when making a back. I'd much rather add a panel down the middle so I don't have to see an unmatched print and use some extra pieces of fabric I have. In this case I made another row of rectangles from leftovers from the quilt top and ran it down the center. I think its stays in the style and spirit of the quilt front and gives a fun interest to the back.
Kyoto Steps looks serene in these teal and green colors. This is a scaled down version of the quilt with slightly smaller rectangles. This lap version still gives plenty of room for a big print to shine while playing with those rhythmic rectangles. Sally Corona (@coronaquiltworks on IG) quilted this one in fabulous hexies. Quite a perfect shape with this chair!
For this quilt I chose a Moda Bella Solid for the backing- I believe it is Pistachio. I wanted to keep it serene and calm but with a pop of color! I like the way the painted lines coordinate print in the Painted Meadow collection make a good binding with subtle stripes of teal, green, deep red or saturated pink color families.
KYOTO STEPS is written for three sizes- Lap 58" x 67", Twin 74" x 89", and Full/Queen 97" x 93". The placement of the rectangles is diagrammed out to make it easy to replicate this spacing of blocks. The quilt is made with 6 half-yard cuts plus background if you are making the Twin, mostly 1/3 yard cuts for the Lap (but get 1/2 yard if your main print is directional like mine is) and a mix of 2/3 and 3/4 cuts for the Full/Queen (also adding background yardage to the Lap and Full/Queen).
If you want to make this in a scrappier way, you can use mixes of Fat Quarters for your pieces. If you are using a Layer Cake, the scaled down size of the Lap will work for those 10" pieces. This quilt is suitable for more beginning quilters.
You can find KYOTO STEPS along with other patterns from the Painted Meadow release at my shop and the patterns are shipping to local quilt shops with the fabric collections!
The original inspiration for this quilt was a caned back to a chair I saw at a yard sale. I thought it would be fun to replicate that woven look with center octagons in fabric. As I was laying it out, the design was becoming a bit too busy and challenging. It needed simplification so the lines did not compete with the prints on the fabrics and so I wouldn't tear my hair out! My happy ending place was this center part of Picket, with white triangle corners meeting each other, suggesting the continuation of line and an almost mosaic-like feel.
As I was playing with the shapes, I loved how the triangles played together and with some of my diagrams, the flying geese ends started to make their own statement. By lengthening the strips, they suggested picket fence posts (but not too long to be overly literal). The pop of white against a colorful border gave that additional chance to set the mood with color.
Picket is designed to be made with either a layer cake (or any mix of fun scrappy 10" blocks of fabric) OR with fat quarters. I like using the fat quarters to get a good mix of fabrics but still have repeating prints and to select my fabrics to tell a color story. The two lap quilts here have color themes of pink/coral/red and blue/green/teal. They have such a different feeling based on the warmth or coolness of the fabric colors.
For the layer cake version of Picket, I auditioned quite a few colors for the border and centers of the X blocks but I kept coming back to this Moda Bella Solids Spray color. There is something so fresh about it and I loved how it popped with the teals and greens and reds.
The quilt is made up of Snowball and X blocks, set on point. It's really pretty fast to make once you get in the groove of the blocks. I make up all the Xs, all the snowballs, then play with arranging them. Then at the end, I get to enjoy my colorful garden all surrounded by my picket fence.
I'm so happy to have had a lot of helpers on these! The large quilt was pieced by Susan Vaughan @thefeltedpear and was longarmed by Marion Bott @bottmarion. The lap quilts were pieced by Danica Willig @danicawilligdesigns and longarmed by Sally Corona @coronaquiltworks.
Check out more patterns made with Painted Meadow (and yes, Painted Meadow is shipping to shops in October 2019 from MODA FABRICS!) at my shop!
Chunky leaves in curved friendly shapes with graphic triangular blooms. Say hi to Beanstalk! This is a leaf/vine quilt made with Painted Meadow fabrics. The selection of fabrics and instructions use fat quarters for the leaf and bloom prints. The green stems and background are indicated as yardage.
I wanted some growing, garden themed quilts. Beanstalk and my Picket quilts were a direct reflection of the desire to marry plants and quilts.
Beanstalk has chunky, curved leaves made with 4" radius quarter circles (8" full circle size) that make the gentle sides of the leaf shapes, meeting half square triangles to finish off the leaves. You can play with the leaves by putting all dark colors to the bottom for a more shaded look or doing scrappy piecing with color and light/dark values.
The Beanstalk pattern comes with a paper template to make the curved blocks. However, I made the blocks for this sample using the Creative Grids Circle Savvy Ruler and I recommend it! Cutting circles with a ruler like this makes them so accurate and easy to sew together. I also have a number of Drunkards Path and quarter circle rulers in different sizes and one of the reasons I like this Creative Grids one is that it has ALL the sizes I use in one ruler! I can design with it, try different sizes with it, and translate a pattern for applique vs piecing with it too (different sizes minus the seam allowance).
When I started the plans for this quilt, I thought I would make it in only green shades for the leaves. But then I mocked it up with the teal and red shades and loved the graduation amongst the color families. It reminds me of fall and changing leaf colors. I think the reds add a lively touch!
Because I try different blocks to figure out my sizing, I usually make a variety of sample blocks. It seems like such a shame to waste these so I try to incorporate them into the backs of my quilts when I can. For this Beanstalk quilt, I used leaves that were too big and too small and a larger bloom as a pieced block in the center of my backing.
This quilt was longarm quilted by Marion Bott and the pantograph is a Sand dollar design. I love the pretty flower shape and the orange peel structure of this design. It makes such a lovely texture on the quilt!
I'm trying to decide what Beanstalk quilt will be next- one from Thatched basics? One with grays and muted colors? I'm not sure but I'm looking forward to planting a new Beanstalk! Visit my shop for this pattern and more that are made with the Painted Meadow collection from Moda Fabrics (shipping October 2019 to quilt shops). Happy sewing!
I, like most quilters/makers, have a number of projects in the works at the same time. Yup. Because they all look so wonderful! I did decide to join in the Bowtie Flower sewalong that Elizabeth Chappell of Quilter's Candy is hosting on instagram. When I saw her quilt on the pattern cover, I knew I wanted to try it with Painted Meadow!
To be honest, in order to join a sewalong right now, I need to feel its something that won't take me hours and hours of long work. I want some projects that are doable and I can get to the finish line. I looked over the pattern and realized that it would fit in to my schedule and I could set up time to do all the cutting, all the HST, all the trimming, etc. Add in chain piecing and I'm there! Plus, I have to admit that sometimes I get bogged down in making my own patterns so it is a breath of fresh air to make quilts from patterns created by other designers.
For my white I am using Moda Bella Solids White Bleached 98. The pincushion is from Wooly Felted Wonders. Isn't it cute?
After deciding which prints I wanted to use (and yes, I mocked it up in the computer using the coloring page that Elizabeth provided- very helpful!) I got to work cutting. I decided to make my Half Square Triangles using an 8-at-a-time method. So my squares I cut for HST were actually 10" to make 8 HSTs. The exceptions were the blocks with bees in them. I fussy cut those so my bees would be center stage in the triangle shape.
I recently bought myself a Martelli turn table and cutting mat. Wow! It is a dream to use. I really enjoy having good tools and look forward to treating myself for a birthday or if I meet a goal I've set.
Next up were the stitch and flip blocks.
When making the stitch and flip blocks, I like to sew an extra seam in the part I am cutting off to make additional Half Square Triangles to use for something else. They are small and cute and I'm not sure what I'm going to make with them yet. I'll trim them up when watching tv some night. I'm thinking of doing a little mini wall quilt with them.
Stacks of blocks are now pressed and ready to go!
I hope you are playing along too. Check out quilters_candy on instagram and hashtag #bowtieflowerquilt and #bowtieflowerqal to see what others are doing!
Can you imagine a meadow with hearty, deeply colorful blooms like the red and pink sunset colors across the sky? This is what I thought of while I visited my mother last summer and we walked through the gardens. The coneflowers were in full bloom in the warm summer sun with their plump centers drawing in the bees and butterflies.
I love the proportions of coneflowers and those big full cones, full of nectar, and colorful petals that hang down with a lovely curve in warm red, fuscia and rich sunset shades. The flowers seem as if they are always looking up to the sky in anticipation of the happy sun or as a welcome for the bumblebees.
The beautiful shape of the coneflower inspired this collection and I couldn’t resist adding in those bumblebees- so plump and fuzzy, just like the flower centers! The fabric group also includes little drawings that show the coneflowers and bees in sweet illustrations or dancing within paisley shapes. Watercolor textures, sprigs of plants and sketchy oval dots compliment the lively group.
Painted Meadow has 4 colorways of cream, pinks, green and teal. It is available in precuts of Layer Cakes, Charm Packs, Jelly Rolls, Fat Quarter Bundles and Mini Charms. It was shown at the Kansas City, MO Quilt Market 2019 with Moda Fabrics and will be shipping to quilt shops in October, 2019.
Enjoy the sunset colors of Painted Meadow with coneflowers and the buzzing of plump bees as you feel the warm summer sun…
I've never been to Kansas City so I was really looking forward to visiting a new city, and being there with my husband and enjoying some BBQ and time away from the daily routine. Market requires numerous weeks of preparation so by the time we get there, I'm ready for a the excitement of the show and seeing lots of quilt people! And did I mention BBQ? Plenty of good eating on the trip! A whole day early (and no missed flights this time!) gave us time to rest, explore the city a little and get some sleep before the big set-up. Yup- barbeque was on the menu and it did not disappoint! braised and bbq'd everything and enjoyed the ambiance of the Power and Light district.
We stayed at the Marriot near the convention center, across the street in the older section that was renovated (the former Muehlebach Hotel). The rooms were lovely and renovated and the lobbies were elegant. I loved that we had the top floor so the ceilings were really high and the light was great! I had a great time taking photos of some of the quilts in the room before set up.
So what can you fit in two suitcases? Turns out you can fit: booth fold up boxes, seed packets, 6 quilts, 6 hangers, a quilted tote, promo flyers and clothes and toiletries for two people for 5 days. Not bad.
From a blank canvas to a quilted world! I had my three new quilt patterns, Beanstalk, Kyoto Steps and Picket on display, made up in my new fabric line, Painted Meadow. The three main quilts on the wall and left quilt ladder were longarm quilted by Marion Bott. Don't you love the textures? The Kyoto Steps on the ladder in teal and the pink and green Picket (seen in hotel room) were longarm quilted by Sally Corona at Corona Quiltworks.
For a little giveaway this time I got coneflower seeds (did I mention my new line Painted Meadown is based on coneflowers??) and made up seed packets. I hope the seeds made it all over the globe and into fresh dirt, ready to grow and bloom!
Sarah Huechteman made up a sample of the Beanstalk quilt for Moda and she made me a little gift with some of the leftovers of the Painted Meadow fabrics! How adorable is this little Bitsy Box?! The pattern is from Ticklegrass Designs. Precious!!
What really makes market amazing for me is the time I have with the Moda people and the other designers. I am so grateful to have this experience and company to work with!
I had a great time seeing shop owners and visiting at the Moda party. Another market done and now its time to plan for the next one!
Oh! And if you are wondering, Painted Meadow will be shipping to quilt shops in October 2019.
Designer of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter.
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