Curves and squares grow into striking modern blooms in this geometric garden. This is Mod Flower Box, ready to bloom upon your wall.
This version on the chair is made with Carolina Lilies. This collection is scheduled to ship to shops in November 2021 and features spotted lilies, paisley prints, vines and ferns. Rich teal and green colors mix with spicy reds and peach tones reminiscent of my Painted Meadow collection.
The wall/lap quilt in Carolina Lilies uses Thatched Soft Black 152 for the background and borders in Thatched Lagoon 199 (the teal color) and Dashed lines 48705-21 in Teal. The flowers and leaves are made from one Charm Pack of 5" squares.
Another option for making this quilt is using Fat Eighths. The Thatched version on the wall uses a mix of 14 Fat Eighths, with 9 for flowers and 5 for leaves. For this version, I wanted to emphasize the corners and really play with the spaces left from the curved blocks by "boxing in" the flowers.
The background is made with Thatched Chalkboard Scribbles 187 with curves and inner border using Soft Black 152. The flower and leaf blocks use a mixture of Blizzard 150, Washed Linen 158, Toast 156, Gray 85, Early Dawn 122, Sugar Rose 127, Citrus 123, Clementine 138, Fuchsia 62, Green Curry 177, Sunlit 142, Grass 197, Dewdrop 143 and Brook 198.
There are two sizes of Mod Flower Box. The wall/lap size is 51" square with borders. If you choose to not have borders for a smaller wall quilt, the inner part is 34 x 34". The large quilt, sized 78" square, uses 4 units of the rotated Mod Flower Boxes.
I am planning on starting this lighter color version of Mod Flower Box, probably with a Washed Linen background or maybe Sandcastle 157 flipped to the backside and accent corners for curves in Blizzard 150.
I've made a number of quilts with curved corners and I DO include a paper template you can work from in the patterns. I do prefer to use a specialty ruler for doing curves and know of a number of them. I usually go to my trusty Creative Grids Circle Savvy Ruler since it has every size I want and I know I will get a really good result cutting with these! I note which slots in the pattern if you have this ruler too.
If you are new to curves, this is a great pattern to try since it only uses quarter circles vs half or full circles. Quarter circle curves are not very hard and I'd suggest making a practice block or two first and then go for it! I love the look of curved blocks- so soft and curvy and gentle. They are a fun thing to experiment with.
Here is more information on quilt materials and specifications. If you are interested in the pattern, it is up in my shop at RobinPickensInc.com
Printed ones will be available soon!
With Project Jelly Roll approaching, I decided to take a look at my Jelly Roll-friendly patterns to figure out what I am going to work on and perhaps share some ideas. One of my Jelly Roll patterns is Definite Plus.
My original Definite Plus quilt is made in Thatched basics. I loved playing with the color families and having a "ghost block" image in the center of just sashings and background. And I made this in both the large size on cream and the small size (using a Honey Bun or 1 1/2" strips) on Heather.
I wanted to see what this would look like made up in a Jelly Roll of print fabrics from a collection. I decided to make one that had no outer borders and no ghost block for the center. Full quarter log cabin blocks without an accent. If you make the large size without the outer border, it goes from being an 82" square quilt to 69 x 69", which makes a lovely large lap or can fit on a twin bed as a nice extra quilt.
How does this impact yardage and cutting? I have only made it this way in the Large size, so I don't have the specifications for the Small at this point. For Large quilt with no outer border and no ghosted center block or accent rectangles:
Sashing: 1 2/3 Yards for sashing instead of 2 1/8 Yards. When you are cutting, you will cut a total of (56) WOF strips.
(4) of those will be cut to 34 3/4" and joined end to end to make the long sashings horizontally between the rows.
Instead of (44) 6 1/2 x 1" pieces, you will need (36).
Background: You need 1 1/4 Yards for background instead of 3 Yards. You will only be cutting the centers of the Quarter Log Cabin blocks and need (36) of them.
For my print version, I decided to use Abby Rose for my strips. I made all my centers with Zen Chic Modern Paper for a pretty, romantic feel. My sashings are Moda Bella Off White 200. I still kept my groupings of 4 that make a plus sign in color families.
I like seeing the contrast of prints vs a more solid look for this quilt. I am very excited to try it again with upcoming lines and try other versions of background and sashing colors.
And just one more idea, since I'm playing around with it...what if the placement of colors were more improvisational and the background squares also had some pops of color? I decided to take a look in the suggestion of my Hygge Happy color theme direction (with Washed Linen, Toast, Cocoa, Sugar Rose, etc). What do you think? Playful or too random?
Looking for more Jelly Roll-friendly quilt patterns? Hop on over to my shop and check out Showering Stars, Ring Around the Posies, Equalizer, and Blockstep. And please join in the fun on September 18th 2021 as we sew those Jelly Rolls!
The last of the new patterns that accompany the Cottage Bleu fabric line have finally arrived. Wind Drifter and The Collector are now available!
I JUST finished putting the binding on the small version of Wind Drifter and have been trying it out around the house. I intended for the small one to be a wall quilt but I think it also makes a lovely table topper!
I enjoy seeing it paired with the larger Wind Drifter quilt and the combination of dark and light. The background fabric I have used on the small one is a new Thatched color in the Cottage Bleu group called Pond 48626 145. It is such a nice deep tealish green. The medium green on the small binding is Horizon 48626 144.
The large quilt is sized at 65" square (vs 32 3/4" for the small) and I've used the white/cream tonal Floral Fling print for my background fabric. It gives such a nice, subtle texture in those open spaces.
Both of these quilt directions are written for using Fat Eighths. You can use a larger, scrappier mix of fabrics as well for the half square triangles. The larger arrows are a nice opportunity to show off bigger prints.
Moda Fabrics is kitting Wind Drifter in the large size with the cream background. The kits will have triangle paper on a roll, which makes the piecing of the small half square triangles so fast! I love triangle paper. There is less trimming and they are so accurate. They make HST a breeze!
My other new pattern, The Collector, was a really fun project with vases, jars and bowls to show off pretty prints. I went with a chinoiserie feel with my vases but I also think these would be super cute in novelty fabrics like cookies and pickles and crackers in the pantry...just flip the wide vase angled top upside down and you have a wide jar with a lid instead of a vase. Is your collection of sewing items? Fill your vessels with buttons, thimbles and threads. Or maybe you like toy airplanes, marbles and jacks? So many possibilities for these collector jars.
These vessels are arranged into sets of 2 or 3 units, then repeated. I had sewn together one strip and put it on the dining room table. Wouldn't that make an interesting table runner?
And I used a couple extra blocks I made to make a coordinating pillow with my quilt.
The Collector is sized 67 1/2 x 65" and is also made from Fat Eighths with background and border fabrics added. This would also be a good scrappy project. Look for pieces for your vessels that are 8 1/2" high and 8 1/2 wide to fit the larger jars and vases.
The quilts shown here are using Cottage Bleu, which should be shipping from Moda Fabrics in April. This quilt also goes well with English Breakfast mini quilt with tea cups. I enjoyed a little home decor theme with this collection and had fun with those big hydrangeas in bursts of blue splendor. I hope you have as much fun as I've had with these patterns and I'll share more as other versions are done with new fabrics.
Fair and Square has a special place in my heart because it was in the first group of patterns I designed. I've learned a lot since then and ended up completely rewriting the instructions. This quilt continues to be a learning experience for me!
I made a revision to the design from the original quilt. I wanted to show this quilt with a soft, buttery yellow background to go with my big bright sunflowers. Sometimes with a pale color mixed with prints needs a little more defining contrast. I loved how a thin white border gave a little additional crispness to the block centers. I decided to carry that thin white sashing around the border to define the space.
The first time I made this quilt I thought the process of making half square triangles went on FOREVER! Now I just enjoy seeing those big blocks come together from a fun mix of little triangles. This quilt can be a fun way to use up some of your extra half square triangles (I save all my extras for scrappy projects) or pieces at least 3" square. Yup, got a lot of those. This pattern specifies a layer cake but can also be made with scrappy pieces approximately 3 x 5" with background fabric added.
Part of my learning experience this time on the quilt was doing the longarm quilting. My system is computerized and I put the sewing designs into the individual blocks vs going with a continual pantograph that is edge to edge. I did a different border design and two designs rotating between the two types of block styles. Aligning the design, staying centered, working out what looked right with the blocks...I did numerous tests on scraps first. I can say I have SO much respect for the amazing longarm quilters out there that I see doing incredible custom work. It's not easy and requires patience and expertise, even when its guided by the computer. I'm glad I pushed myself to try this. It's not perfect, but I think I gave up the quest for perfection a long time ago! I quite enjoy seeing the areas that have mistakes because it records learning and improving for me.
The back of this quilt has the print from Solana of little ladybugs. I just couldn't wait to try this on a backing since it is such a fun little print and I love ladybugs! They seem like good luck and fond wishes coming from busy little bright ladies. This print is great for a backing since the ladybugs have little dashed lines of curvy walking paths in a subtle texture in the background so its very forgiving if you make mistakes while quilting. Yes, I know that from personal experience.
In case you were wondering what yellow this is, its Moda Bella Solids Baby Yellow 31. I paired it with Bella White Bleached 98. This is the original Fair and Square quilt I made with Poppy Mae, my first Moda Fabrics line. It was quilted by Gina Siembieda.
If you want to check out other quilts made with Solana, visit these posts:
or visit my shop! Have a sunny, happy sewing day!
The other new pattern I've released to go with the Solana fabric group is Simple Solstice. This quilt can be done with a Layer Cake or Charm Pack for a small or large quilt! I love the cheery sunshines in sunflower Solana warmth.
The original plan was just the larger quilt, but when I tried blocks in the smaller, Charm Pack, size, I fell in love with the scale of the sunshines. It makes a lovely wall quilt or baby quilt and can have another row nicely added to make it a square.
This quilt pattern uses a mix of stitch and flip corners to make snowball blocks, with rays from half square triangles and flying geese. Because the HST and flying geese are spaced apart, there is minimal corner and point matching to do, so this is really a very forgiving quilt if you don't like having to match lots of points and seams exactly.
I also like the combination of using the scenic print from Solana for the back of the quilt against the white of the front background fabric. For the small version I used the white on white print of the sunflower seeds and it gives the quilt a slightly lacy feel.
Fun fact: this Windsor chair was my Grandmother's. It has traveled with me from home to home and almost always lives in the corner of my bedroom or a guest bedroom. There is something comforting about having a quilt draped over the arm of this chair and I love the smooth wood of the well worn chair arms.
My little visitor friend seems to like these quilt blocks quite a lot. On two separate visits, she claimed them as the place she needed to sit. She knows what she likes!
Simple Solstice will be shipping to shops and the Solana fabric will be shipping in October. If you want to check out this and the other patterns shown with Solana, visit my previous post or my shop. Happy sewing and enjoy the sunshine!
There are rectangular pavers leading up to the front door so the sound of the UPS man with boxes and a dolly have a "Clunkity, clunkity" sound as the wheels drop into the open spaces between the pavers. I know that sound well around here and today it was the sound of PATTERNS ARRIVING!
There are three new patterns for the Solana group of fabrics and this one, BACKSLASH, was the last of the three to arrive from the printer! Tonight we will be bagging patterns while watching tv and tomorrow I will box up some orders going out. Of the three patterns, this one feels the quickest to do and I really like how much fun stuff is in it due to all the print fabrics. It's a little bit of background, a lot of prints.
ThI've made Backslash in color stories- shown here in blues and yellows and one in coral, yellow and green. I liked the flow of movement I got with using a family of fabrics in consistent yardage cuts. This quilt is shown with 11 print fabrics. For the Lap size, you would use 1/3 yard cuts, for the Twin 1/2 yard cuts and for the Queen 3/4 yard cuts (plus background). This quilt can also be made with a Layer Cake. That gives it a busier, scrappier look but could be really fun too! The forward slash and backslash thin sashings on the angled blocks combined with the smaller/grouped in 4 half square triangle blocks provide lots of angles for your eye to travel around the quilt.
This quilt is suitable for more novice quilters or is great to use to showcase a lively group of fabrics together. I hope you have as much fun with Backslash as I did and that you will also check out my other Solana patterns of Simple Solstice and Fair and Square at my shop! (Solana ships to shops in October) Happy sewing!
Kyoto Steps quilt pattern was launched with Painted Meadow fabric and we were just cutting some more kits in the studio last week. My kits do use the coneflowers and bees in the Painted Meadow fabrics and are available in both Twin and Lap size in the red and blue/green colorways. I did a little video to show my Kyoto Steps quilts on my youtube channel. I hope you will check out other videos on my channel!
Since Abby Rose just shipped to shops recently, I thought this would be a great time to show how this quilt could look in Abby Rose! The quilt needs 1/2 yard cuts in 6 fabrics (plus background fabric) for the twin size, 1/3 yard cuts plus background for lap size, and if you are making a full/queen you would have a mixture of 3/4 and 2/3 yard cuts plus background fabric. I enjoy mixing groups of 6 fabrics to see the different looks in romantic roses!
I've included information under each image to list the Abby Rose fabrics used in the mockup. I've listed the name, color and SKU number in case you want to order fabric from your local shops. The first mockups play with orange and pink and pink and green colors. Pretty, springy quilts in light and sweet colors.
How would it look to use a background with more color and with dark shades? I tried Thatched in Cranberry and Burgundy to offset a pink and orange mix and I love the deeper feeling of these.
Greens and Blues? Abby Rose has a soft seafoam blue that mixes nicely with the fresh green. The darker blue is called Night in Abby Rose and is the same Thatched color as Marine 89. I like the crisp feeling of this darker blue against the cream background. I also like using the lighter seafoam blues with Night as a background.
If you are looking for kits using Painted Meadow, visit my shop at www.robinpickensinc.com. You can also see more details of the Painted Meadow quilts on my youtube channel. For Abby Rose, check with your local quilt shops and have a great time sewing!
I've had a number of requests for showing Painted Meadow fabric in my Joy and Delight quilt design. I love the ease of the computer to try out a few things so lets have some color and print fun! I designed Joy and Delight with my Christmas collection, Splendid. I showed it with the blocks alternating two prints OR in a version with the large block centers using a Layer Cake for a scrappier look. With this exercise in color play, I'm staying with the scrappy Layer Cake assortment.
I'm starting with some of my favorites (I think) because I really enjoy how soft and pretty these can look in this more pastel palette. The above quilt shows the snowflakes in the borders in pink. So now I can feel free to call them sparkle bursts instead of snowflakes. They have a sparkly decorative feeling. Of course you can make this quilt without the border sparkles but I think they do add a layer of twinkle (or pixie dust??) to make those borders feel special. Below is a more close up view to see the softness of the sparkle bursts in a light color. Also the framing around the blocks is shown in pink (below) vs light green (above).
A little more exploration of pinks...lighter to the deeper pink. With the lighter pink background I used dark pink framing and border sparkles. When using a darker frame around the blocks, I like to switch the small squares in between to a light color for more contrast and the color sparkle of the white accents (see, more sparkle!). With the dark pink I went back to the pop of the cream frames but made my border sparkles even darker red.
I enjoy the more dramatic tealish blues of Painted Meadow and thought it would be fun to see some blue stories. A deep midnight blue frames the squares in this first one.
And on this version I wanted to add a soft khaki or light tan for the frames. I think the addition of the neutral natural light tan gives this an entirely different feeling and is a nice compliment to all the color in the blocks. There is something so restful and calm about this color combination.
Hope you enjoyed a little color play with Painted Meadow and this helps in visualizing quilt plans! If you are interested in Joy and Delight, it is shown in Splendid in my shop.
Sometimes I just like to sew. You know, the hum of the machine. The forward motion and progress. Adding piece after piece in a rythmic order and just getting into my zen place of calm at seeing rows of color and pattern coming together. KYOTO STEPS takes me to this zen place.
This quilt is easy to make- a logical cutting scheme and straight sewing- but still has a richness of activity and proportions. It is designed to allow some large prints to have a bigger block (yes, my common theme to show off my large florals) that are more centrally located. Then think of the other blocks as steps that skip and hop away from the center in light and dark.
I just love the quilting on this one. I want to rub my hands over it and feel the texture of those fans! Marion Bott (@bottmarion on IG) did a fantastic job with adding the perfect layer of textural dimension to this quilt. The fabric here is from my Painted Meadow collection (shipping October 2019) and I made sure some of my fat bumble bees made it into the large blocks. I also put the large pink print with big Coneflowers on the back of the quilt so there would be lots of drama and excitement when you turned it over.
I must admit I really don't like making quilt backs. And I REALLY don't like trying to match a print on a seam when making a back. I'd much rather add a panel down the middle so I don't have to see an unmatched print and use some extra pieces of fabric I have. In this case I made another row of rectangles from leftovers from the quilt top and ran it down the center. I think its stays in the style and spirit of the quilt front and gives a fun interest to the back.
Kyoto Steps looks serene in these teal and green colors. This is a scaled down version of the quilt with slightly smaller rectangles. This lap version still gives plenty of room for a big print to shine while playing with those rhythmic rectangles. Sally Corona (@coronaquiltworks on IG) quilted this one in fabulous hexies. Quite a perfect shape with this chair!
For this quilt I chose a Moda Bella Solid for the backing- I believe it is Pistachio. I wanted to keep it serene and calm but with a pop of color! I like the way the painted lines coordinate print in the Painted Meadow collection make a good binding with subtle stripes of teal, green, deep red or saturated pink color families.
KYOTO STEPS is written for three sizes- Lap 58" x 67", Twin 74" x 89", and Full/Queen 97" x 93". The placement of the rectangles is diagrammed out to make it easy to replicate this spacing of blocks. The quilt is made with 6 half-yard cuts plus background if you are making the Twin, mostly 1/3 yard cuts for the Lap (but get 1/2 yard if your main print is directional like mine is) and a mix of 2/3 and 3/4 cuts for the Full/Queen (also adding background yardage to the Lap and Full/Queen).
If you want to make this in a scrappier way, you can use mixes of Fat Quarters for your pieces. If you are using a Layer Cake, the scaled down size of the Lap will work for those 10" pieces. This quilt is suitable for more beginning quilters.
You can find KYOTO STEPS along with other patterns from the Painted Meadow release at my shop and the patterns are shipping to local quilt shops with the fabric collections!
The original inspiration for this quilt was a caned back to a chair I saw at a yard sale. I thought it would be fun to replicate that woven look with center octagons in fabric. As I was laying it out, the design was becoming a bit too busy and challenging. It needed simplification so the lines did not compete with the prints on the fabrics and so I wouldn't tear my hair out! My happy ending place was this center part of Picket, with white triangle corners meeting each other, suggesting the continuation of line and an almost mosaic-like feel.
As I was playing with the shapes, I loved how the triangles played together and with some of my diagrams, the flying geese ends started to make their own statement. By lengthening the strips, they suggested picket fence posts (but not too long to be overly literal). The pop of white against a colorful border gave that additional chance to set the mood with color.
Picket is designed to be made with either a layer cake (or any mix of fun scrappy 10" blocks of fabric) OR with fat quarters. I like using the fat quarters to get a good mix of fabrics but still have repeating prints and to select my fabrics to tell a color story. The two lap quilts here have color themes of pink/coral/red and blue/green/teal. They have such a different feeling based on the warmth or coolness of the fabric colors.
For the layer cake version of Picket, I auditioned quite a few colors for the border and centers of the X blocks but I kept coming back to this Moda Bella Solids Spray color. There is something so fresh about it and I loved how it popped with the teals and greens and reds.
The quilt is made up of Snowball and X blocks, set on point. It's really pretty fast to make once you get in the groove of the blocks. I make up all the Xs, all the snowballs, then play with arranging them. Then at the end, I get to enjoy my colorful garden all surrounded by my picket fence.
I'm so happy to have had a lot of helpers on these! The large quilt was pieced by Susan Vaughan @thefeltedpear and was longarmed by Marion Bott @bottmarion. The lap quilts were pieced by Danica Willig @danicawilligdesigns and longarmed by Sally Corona @coronaquiltworks.
Check out more patterns made with Painted Meadow (and yes, Painted Meadow is shipping to shops in October 2019 from MODA FABRICS!) at my shop!
Designer of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter.
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