Today I put the last border on my Bird Talk quilt and I was so happy since I've been doing it in little bits and pieces, here and there. One night I will think "okay, I can get all the bird legs done" and another night I assemble the cardinal. Chip away at some leaves...little by little. I had help too with Olivia, who came and calmly cut and pieced leaves and leaf stalks while I filled pattern orders and dealt with computer things.
This has been a happy quilt to make. I don't know why, but birds are just so cheery. Maybe it is because I am named after the first bird of spring- Robins hopping along on the lawn with bits of snow still sticking but signaling that spring is indeed coming. Or maybe it is that I love to see the birds jump around and play with each other in a teasing way on the branches of the trees outside my studio window. Whatever the reason, birds just seem free, colorful, light and full of chatter.
I did start by making birds first. Then leaves. Then border. Then joining it all. The pattern itself is not overly difficult. It is made from patchwork simple piecing, half square triangles and some flying geese. You just have to pay attention to cutting a variety of sizes. I suggest labeling them with some post-it notes as you cut them out. If you want o make scrappier pieced sections of border, combine more smaller pieces into the larger size of block or rectangle for backgrounds.
Wouldn't this be fun with all Blue Jays, or black birds with fall colored leaves? I think this will be really fun to play with pattern and color on other versions. This version was made with Thatched Basics by Moda Fabrics. Some of the differences in colors are subtle- for example, there is a light red, medium red and dark red. You could use all one red, but the differences in value help to define wings from underbelly from top of bird. This could be a great place to experiment with ombres too- Hmmmmmm, I'm wondering the effect I could get with those!
This quilt is a lap size, or a twin with the border. This is the first time I have done a decorative, pieced border and I am really liking how it works with this particular quilt. I wondered if the border would be too much, but now that it's done, I am quite smitten with the border and am looking forward to doing other versions with it.
This quilt is easy to make with a combination of fat quarters, fat eighths and some yardage. I will be sizing it down to half scale for a wall quilt, hopefully by the start of quilt market. I had to make a decision on pattern sizes and the pattern itself is a 5 1/2" x 8 1/2" booklet (the size of my other patterns) but its 14 pages of instructions to include what you need for cutting, piecing and borders. I could either make a larger pattern at twice the price and include two sizes, or do two patterns at specific sizes at my normal price (its too much info to put both sizes into the small format booklet). I figured most people would know the size they want to make and appreciate not spending more on the pattern, so two patterns it is. I appreciate knowing if this works for you or if you'd rather spend more and have both sizes together.
This bird family is off to the longarmer tomorrow. Stay tuned for the smaller one!!
Happy quilting! And for more Thatched fabric patterns, check out my shopify store!
When I saw the Kinship Fusion Sampler created by Gnome Angel and Skyberries I knew I wanted to try it in Thatched fabric, my new basics line coming out with Moda Fabrics (shipping in November 2019). I was wanting a color-play exercise that used a limited palette and a select group of the fabrics. I like this line for fillers and backgrounds, but they deserve to hold their own in a quilt sew-along!
I love the modern feel of many of the blocks, playing with geometry in often asymmetrical layouts. I thought the woven illustration of Thatched would work well to add just a little depth to the blocks.
I actually jumped in about a week into the sew-along, which is typical for me. I WANTED to do the sew-along but I get distracted and think I don't have time to add ANOTHER project. But then I see people posting on instagram and I can't stand it anymore and jump in late.
My original plan was to make the quilt in mostly grays and white with a tiny pop of color. Maybe just the heart block in orange? I selected three grays from Thatched to use- the Gray 85, Pebble 24 and Shadow 117, giving me a light to dark range of grays. There are actually 5 grays in this first release of Thatched but I wanted to keep it simple. I've never made a black and white quilt before or a black, white and gray one, so this was a new exercise in restraint.
fBut I guess at heart I am really a COLOR GIRL and I needed more than just one pop of color! I loved the idea of just orange with the quilt, but the addition of greens to the mix felt so much more appealing and fun. I really like how the combination of Chartreuse 75, Sprig 14, Peacock 77 and Turquoise 101 play together. It was a tough call to decide if I should add the dark green Pine 44 to the mix but I left it at the original four greens.
For the oranges I used Tangerine 82 and Apricot 103. Again, tempted to add more with Maize gold but I pared it back. Every time I use the oranges it feels like a jolt of orange juice waking me up!
Usually I keep the color story of greens or oranges within a block but once in awhile, one escapes and jumps in another color block! Quilt block 29 is an example of that with it's little orange square. And block 82 with one orange corner to liven up the group! (And yes, sometimes I go out of order and make some of the later squares in advance if I have the right pieces cut)
When I got to day 25, I layed out what I had on the floor to get a feeling for them all together. For the planning of this sampler, I used the coloring sheet that Gnome Angel has on her blog at https://www.gnomeangel.com/100days100blocks2019-colouring-sheet/. It was tremendously helpful in planning and playing around with the colors. You need to purchase the pattern to get the coloring sheets and I am not posting my colored in one since that would be a violation of the pattern copyright.
Yes, my helper was involved and let me know she was bored of this whole thing.
There is one thing I wanted to mention about this particular pattern for a sampler. I really appreciate that the sizes of the blocks you cut are very consistent so it is efficient with fabric and makes it easy to precut pieces. For example, a lot of pieces might be 2 1/2" wide so you knew that by cutting that size strip, it would be utilized for a lot of smaller pieces. I could go through and count out how many pieces I would need at certain sizes or how many flying geese were needed at the same size and then make them in bulk. This really cuts down on time and makes it enjoyable to move through the blocks faster and with more efficiency and economy. I thought it was a very smartly planned out sampler that way!
I have been loving the blocks I've been seeing on instagram from other people sewing along. I particularly love seeing some of the fussy cutting and cute fabrics. It is a different feeling to do a sampler with a limited palette and limited fabrics and I like the new muscle that is flexing in my mind to explore the contrast and color relationships. I like how clean and modern this feels to me. But I can't lie, a part of me wants to just throw one of my big flowers into one of these blocks!
I'm guessing the next time I share these blocks on the blog I'll be done or at least close to done. Follow me on instagram to see more progress with the Thatched blocks at @robinpickens. Follow along to see all the great blocks on instagram with the hashtag #kinshipfusionsampler or #100blocks100days2019 and thank you Angie @gnomeangel and Bec @skyberries for a great sewalong! (Also, I am dying over Bec's blocks made with Heather Ross fabrics- fantastic!!)
I like to pair bigger prints with some solids for balance. But does that mean all solids are flat? Calm and rest for the eye can still have subtleties of design and texture. There is something so enjoyable in a little tonal and linear variation that brings interest and depth, like the character of a hand drawn line. It is in this drawn texture that I think of threads coming together to create "Thatched."
Thatched was hatched (ha, ha!) a number of collections ago, as a coordinate for Dear Mum. The little woven drawn lines became a texture print in gray, warm red, green and the Robin's egg blue. It blended so well it wove its way into the next collection, and the next.
Now Thatched is ready to claim its place as a basics line and make its OWN color statement. Colors have been added to round out the palette to include browns, blues, oranges, burgundy and Berry. 30 prints of luscious colors.
Perhaps you keep Thatched as a subtle texture print to balance out your larger prints and be a background fabric or blender. Or you may decide to play with the combinations and relationships of color families and groupings in color studies with saturated splendor.
Let your world of color mix with the texture of drawn line, the feeling of linear weaving. We are, after all, makers. We have interwoven lives and notice the small textures and details that make life richer.
Lean in and notice the detail. Rejoice in the imperfections. Drink in the saturated colors.
At my conference table (the kitchen table!) the ring of color commands presence in the space, singing out a rainbow of song.
Enjoy the blues of Navy, Marine, Sky and Royal. Dark to go with denim. Light to brighten like the sky. Blues blend into greens and teal shades. Moody, pretty blues. Grays that are warm and cool, speckled and subtle. Reds that are deep and dramatic or bright and cheery (and yes, the Crimson and Pine of Splendid are in the basics).
Drawn line in color tones with the character and heart of handmade texture.
The ring of color is almost luminous under the light as night time falls. I will clear it tomorrow. For tonight I will sleep with rainbow dreams...
Designer of colorful florals for Moda fabrics. Modern to transitional quilt designer. Illustrator, sewist, crafter.
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