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This week’s Sewcialites 3, block 13 is Back Porch Block, designed by Joanna Figueroa of Fig Tree & Co.. It’s a beautifully detailed block with a lot of small pieces, making it a rewarding sew that sits comfortably in the intermediate skill range.  There’s a lot of structure in this design, and the piecing really comes together in a way that feels both traditional and fresh at the same time. Because of the number of smaller pieces, it’s one of those blocks that benefits from a little extra attention and patience. Spray starch is especially helpful if you're working on the 3" blocks, along with taking the time to press carefully and square up each step — but the finished result is absolutely worth it.  The color palette for this week is Burgundy, Cranberry, Fuchsia, Sugar Rose, Primrose, and Early Dawn. Each of these tones brings a soft progression of value and warmth, creating a cohesive, gently shifting gradient across the block layout from the center outward. My color selections are guided by the overall layout of the quilt. Since this block sits in the burgundy section of the design, I’ve used Burgundy as the background fabric. This helps anchor the block within its designated section while allowing the remaining colors to shine in the piecing.  It’s always interesting to see how each block contributes to the larger quilt design, especially when color placement plays such a key role in the overall structure. The Back Porch Block is a great example of how thoughtful color placement can completely change the look and feel of a complex block.
Happy Sewing. Robin
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Week 11 of Sewcialites 3 brings us the Snuggle Patch Block, designed by Edita Sitar of Laundry Basket Quilts. This block leans into a more traditional quilt block, making it a wonderful nod to classic patchwork. It’s labeled as a beginner skill level, but don’t let that simplicity fool you--Snuggle Patch offers a lot of versatility. From playful color combinations to more refined, tonal palettes, it can easily shift its personality depending on your fabric choices.  Beyond color, the block also shines in how it can be arranged within a full quilt layout. Whether repeated in a structured grid or mixed with other blocks in the Sewcialites series, it creates opportunities for a variety of finished looks. A timeless block with flexible possibilities, the Snuggle Patch block can offer endless creative potential.  This week’s Thatched color picks are especially rich and inviting: Pink Grapefruit and Burgundy—two of my personal favorites—paired with Masala Spice and Caramel. Together, these shades create a warm, layered palette that adds depth and a slightly sophisticated feel to this classic style block. It’s a beautiful example of how thoughtful color choices can elevate a classic design and give it a completely fresh look.  Seeing all of the blocks we’ve made so far come together is so satisfying. We’re almost halfway—what a fun sew-along this is! I’m already looking forward to next week.
Happy Sewing! Robin This week’s Sewcialites 3 block is almost too cute to resist. Block 10, the Little Berry Block, designed by Pat Sloan, adds a sweet and playful touch to the overall quilt with its charming patchwork berry motif. I’m working with the 3" finished size, which makes everything feel delightfully tiny—and definitely calls for a bit more care and precision. The smaller scale really highlights the patchwork details for this block, especially in the berry itself, where the two colors come together to create that classic berry look.  I couldn’t resist leaning fully into the theme, pulling from my Thatched fabrics of the rich Fuchsia and warm Sugar Rose for the berry itself, Caramel for the leaf unit, and Early Dawn as the background. The subtle texture of Thatched really enhances the block, giving the berry a soft, almost fuzzy texture that fits the theme perfectly.  This block is a fun make, and it delivers big on personality. It’s definitely one of those designs that would be adorable repeated across an entire quilt or even turned into smaller projects. Straight piecing combined with stitch-and-flip corners and half-square triangles, makes up this fun berry block.  A few notes from this week: Keeping a consistent seam allowance is especially important when working with pieces this small, as even slight variations can affect the final block. Pressing carefully made a big difference in reducing bulk, I pressed the seams open for this one.
Until next week, happy sewing! Robin Week 9 of Sewcialites 3 brings us the lovely Daylight block, designed by Corey Yoder of Coriander Quilts. This block feels like a breath of fresh air, with clean lines and balanced shapes, and a brightness peeking through the center that truly lives up to its name. The design has a gentle sense of flow, with light radiating outward, making it both eye-catching and versatile. It really shines when you play with contrast, allowing the structure of the block to take center stage.  For my version, I chose colors with its placement in my overall quilt layout in mind. Since it sits in the darker burgundy section, I wanted it to transition gently while still holding onto that “daylight” feel. I kept the center light and bright, then framed it with rich burgundy stitch-and-flip corners to anchor it into that deeper color story.  The colors I chose for this week’s block are Burgundy, Pink Grapefruit, Caramel, and Buttermilk—creating a warm, balanced palette. The lighter tones keep the center soft and luminous, while the burgundy adds depth and gently frames the design. I love how this approach allows the block to glow from within while still connecting to the surrounding fabrics, creating a thoughtful balance between light and depth.  As the weeks go on, the stack of blocks continues to grow, serving as a reminder of how far we’ve come and how each design builds on the last to create something truly special.
Happy Sewing, Robin Why can't a log cabin block REALLY be a cabin? Well, this little cabin in the woods has a roof and chimney to top those log strips to finish off a cheery home! This weeks block is MY block CABIN LIFE!  I thought the Darling Peony fabrics would be great to try in this "Cabin Life" block for Sewcialtes3 since there are little houses on some prints and words to share that loving home feeling. These blocks show off the 9", 6" and littlest 3" log cabins in peony pinks and reds.  For my own quilt, I'm using an all Thatched palette and liked using the darkest burgundy for the roof and smoked paprika for the "brick" chimney.  Want more info on my quilt plan for this sewalong? Last week I shared my layout using 3" blocks to make a wall hanging in this spicy pink/red/cream/caramel palette. Many thanks to the Fat Quarter Shop for providing this fun sewalong!
Happy Sewing, Robin Cross Training by Jenelle Kent brings cheery Xs to our weekly Moda Blockheads sew along! It is also fun to play with those background triangles and see what develops.  You can treat the blocks as four quadrant Xs or play with the middle triangles to make it appear as one main image, like the ones in the middle row. Don't the center ones remind you of Granny Squares in crochet? I like seeing the center as more of a focal point or light spot. On the top row, the middle image starts to suggest Xs and Os just by flipping the light and dark of background triangles. The bottom row plays with one section reversed, traveling shades from light to dark, and emphasizing the patchwork diamonds in the center.  Here is the block with grayscale and construction lines. I often figure out my quilt plan and colors before I do the color studies. As you can see, my sewn blocks follow the original plan for the Xs in a nice stacked formation. I was thinking about a little pop of color accent with the Dotty green for the popsicle palette.  I like how it plays against the darker, more serious red and burgundy. I'm including the updated image on my quilt layout so far.   Here are the warm, snuggly colors for my other quilt. It is raining and a bit cold here today so the thought of curling up under the snuggly palette quilt is especially enticing!   My Cross Training Xs are in the upper right quadrant. One more smaller block then I'm filling in those big corner blocks! Till then, happy sewing!  Happy week 6 of Moda Blockheads! This is an especially fun week for me since it is MY block this week AND I am sharing my SETTING PLAN for my quilt. Just a couple quick things about me, in case you are new to Moda Blockheads or new to me: 1. I try to do a weekly "color study" for the new blocks and I play with color and light and dark placement to see how those factors influence how the final block looks. I post them each week on my blog and in the facebook group and on my instagram account. 2. I've been designing fabric for Moda, going on 10 years! I started working with them after winning the Fabric8 competition on spoonflower.com, which Moda sponsored. It has been a wonderful experience working with them and I am happy to design floral inspired lines and have basics collections of Thatched and Dotty Thatched too. 3. I design quilt patterns and a lot of my patterns span a modern-to-transitional feel. I am a very spacial/visual learner so I try to diagram my patterns a lot with visuals. 4. A common question I get is about what computer program I use to create my color studies. I use Adobe Illustrator. I have EQ8 but am most comfortable on Illustrator so that is what I always go back to. So let's get on to this week's block!  MOONBEAM. Can you see the arrows of light as they shoot off into space? Whether you see this as a moon or flower, I think the directionality of the corners and potential for layered light in the center nine-patch offer lots of interesting elements to play with. I love the simplicity of stitch and flip corners and each of the four snowball units use those. If you struggle with getting those to be even, have no fears here, since this block does not require the angled corners on those snowballs to match other seams precisely. If they did, sometimes using a little glue to hold pieces in place is helpful to getting accurate snowball corners. For those instances I put the glue on the two pieces facing right sides together, on the part I will be cutting off , just a little bit away from the seam I am sewing.  Color studies for Moonbeam. The last one feels the most moon-like to me with glowing white against a dark inky sky. My other experiments feel like flowers, plaid explosions, double sided arrows or arrows that change direction and now point IN vs OUT. This block can be busy and complex or simplified down to mostly arrows, like the middle one shows. After all this experimenting with color studies...I still went with a sewn block that is most like the first one. Here is the color study done in black and white, without the color influence:  When working in color, I did not see how much the white corners stood out until I saw it in black and white. It is very helpful to take photos of your pieces when you lay them out and then make the photo black and white to see what your contrast levels are. And with the dividing lines of the actual block construction:  The quilt block pattern for this block as well as the past week's blocks are on the Moda blog at: https://my.modafabrics.com/inspiration-resources/blockheads-6-archive Sewn blocks in my two color palettes: Popsicle and Snuggly. Keep reading to see the full plan I have for these blocks and how I will be laying them out. If you want previous information about these two palettes, I've posted about them at the start of the sew along at www.robinpickens.com/blog/moda-blockheads-6-begins  Here is the block done for both the Popsicle and Snuggle palettes.  I wanted to share my layout idea for my quilt. There are a few sizes for this sew along. I decided to make the biggest block the center, focus on next largest as four corners, and surround those corners with smaller blocks. By adding additional half square triangle units I am making a giant star-like or X block.  I also wanted cohesive color groupings within the quadrants so I focused families of warm or cool in corners for Popsicle. For Snuggly palette I separated pinks or browns.  In order to differentiate between an area of color that is the quilt setting and the colors that will have a quilt block in them, I shaded down the block areas with white. The full color areas are the quilt setting additional pieces I am creating.   Each side will have star points created from half square triangles. I'm making 4 1/2" finished HST so starting with 5 1/2" squares, trimming to 5" and then assembling into the bigger triangle edges. The bigger blocks face each othr to make the overall star points for the quilt body layout.  The background cutting to get these side pieces requires 26" of fabric. I'd get 7/8ths of a yard to have some room for error. Or you may have lots of extra background fabric already from the blocks you are making and will not need to supplement as much extra fabric. From background material, you will need (8) 9 1/2" x 5" rectangles, (8) 5" x 5" squares and (12) 5 1/2" x 5 1/2" squares. You will also need a total of (6) 5 1/2" squares each of A/B/C and D/E/F to make the half square triangles. I've used different combinations on my color quadrant sides so I am using a variety of colors to make up my A/B/C and D/E/F squares.  I've used a simple two-at-a-time construction for making my HST, with a line diagonally, corner to corner and sewing 1/4" to each side of the line. I press to dark side and trim to 5". Then I assemble my rows or columns as shown below:  This is what my sewn sides look like in Snuggly and Popsicle:     This 27 1/2" x 14" block will be the center of the four sides of the quilt top. I also have rectangles and squares of colors that run up to the star points. A quilt block will be in that smaller square area within the side of color bands. For the color bands, cut 14" x 9 1/2" rectangles in colors that match with your star HST ends. You will also need either (2) 5" x 5" squares or (1) 9 1/2" x 5" rectangle per side to be at the base of the quilt block from the sew along. Because my colors are split into quadrants, I'm mixing those colors in to the blocks that go in those spaces to continue the color split.  I hope this makes sense! You can simplify by using all one palette. I just decided to switch it up a little and do multiple color groupings, because more color is something I usually like! The other twist for me is mixing regular Thatched and Dotty Thatched. Same colors but there is a lot of interest to me in having that subtle change of dots or no dots, sort of like another layer of depth and texture. The Snuggle palette looks like there might be some dotty in those mocked up spaces but that quilt will be all regular Thatched. I think it will be interesting to see how much difference there is between the two quilts when they are all done. Here is a peek of how my layout looks with the blocks we have done so far.   And here are the groups of sewn blocks so far!! Many thanks to Melina for working on these. Otherwise I'd still be doing some catch-up!   Please feel free to pop back over here to see any new blog posts or color studies. I also have a facebook group "Robin Pickens Sew Happy Community" where we will be doing a little sewing together in July of my Bar Hop quilt pattern. And you can find me on Pinterest, instagram as @RobinPickens or on my youtube channel youtube.com/c/robinpickens. Thanks for sewing along and being a part of this wonderful Moda Blockheads experience! Robin  It's here! Moda Blockheads 6 has begun with our first week of block patterns. This is "Regatta" by Vanessa Christenson of V & Co.  Here is the black and white version. It can be easier to envision your colors and fabric pull into this image of complete neutrals. And I thought it might help to have an image with the block lines to see exactly where these block pieces fall.  So how about some actual sewn blocks?? Well I've got TWO palettes I'm working with this year: "Popsicle" and "Snuggly". The Popsicle palette combines both regular and Dotty Thatched. I love how the Dotty fabrics give a little extra sparkly look. My specific colors are Navy, Royal, Surf, Grass and Lime for cool colors and warm colors of Burgundy, Ruby, Scarlet, Tangerine, Fuchsia, Pink Grapefruit and Petal. The background is Thatched Blizzard.  The "Snuggly" palette is all regular Thatched in a calm, sophisticated and warmly soothing way. Mocha, Cocoa, Oatmeal, Washed Linen play with Burgundy, Cranberry, Fuchsia, Pink Grapefruit and Petal, on a Buttermilk background. Although there is similarity in the warm colors between the two groups, the feeling is decidedly different for the overall colors.  With the Regatta block in Popsicle I have two different background colors. I like how the dotty looks like little sparkles or fizzy pops!   Snuggly still has two background colors (Mocha and Burgundy) but the corner squares are also a different accent color. The light and dark of the half square triangles is reversed on horizontal vs vertical rows. Can't say for sure yet but I think this palette will be my favorite.   My setting idea will be shared in the weeks to come. But for now, happy sewing and making of your Moda Blockheads blocks!
 I am often a "transitional" quilter (or you could call it modern traditionalism)- relating to sewing between traditional quilters and modern quilters. I love to make more traditional quilts, but I also enjoy how modern quilts can allow you to express your creativity in a different way! For some people, modern design can be a bit intimidating. They may only know of more improvisational modern quilting and not have comfort with improv. However, modern quilting doesn't have to be difficult or intimidating. You also don't have to use a complicated pattern to get that modern look. To help you embrace the modern quilter that is within you, I am sharing one of my easy modern quilt patterns which creates a stunning quilt with tools that you have on hand and no matter what fabric you choose to use!  I enjoy a modern quilt design that is not overly complicated. In fact, I often feel a simpler, pared down design will have a more modern feel. I wanted to come up with a modern quilt that would allow you to easily create with fabrics you may have on hand, utilizing scraps, yardage, or even precuts (and precuts as small as a 5" square Charm Pack). I combined curves and squares into striking modern blooms in this geometric garden. This is Mod Flower Box, ready to bloom upon your wall! I'm showing two versions of this modern quilt in these photos. You can see how it still has a striking composition whether done in all solid fabrics or a combination of prints. This version on the chair is made with Carolina Lilies. This collection is scheduled to ship to shops in November 2021 and features spotted lilies, paisley prints, vines and ferns. Rich teal and green colors mix with spicy reds and peach tones reminiscent of my Painted Meadow collection. I chose to keep the background a dark soft black so there is high contrast with the colors and they really pop! I like to see the different ways that light and dark colors change up a quilt (keep reading for a lighter version below).  The wall/lap quilt in Carolina Lilies uses Thatched Soft Black 152 for the background and borders in Thatched Lagoon 199 (the teal color) and Dashed lines 48705-21 in Teal. The flowers and leaves are made from one Charm Pack of 5" squares. You can also use a Layer Cake of 10" precut squares and cut them in half both, horizontally and vertically.  Another option for making this quilt is using Fat Eighths. My favorite version of this modern quilt is the one that looks like solid fabrics. It is actually using Thatched basics for the fabric. I've paired a use of bold colors with this subtle textured fabric to make the hues really stand out in a dramatic way. With the floral groupings all in the center, the outer borders create balance with a more expansive negative space that can be good for specific border quilting or just a breathing space and strong framing device. To get the look of these graphic areas of solid color, I've used a mix of 14 Fat Eighths, with 9 for flowers and 5 for leaves. For this version, I wanted to emphasize the corners and really play with the spaces left from the curved blocks by "boxing in" the flowers. That is where the name Mod Flower BOX comes in (plus the extra outer border).  The background is made with Thatched Chalkboard Scribbles 187 with curves and inner border using Soft Black 152. The flower and leaf blocks use a mixture of Blizzard 150, Washed Linen 158, Toast 156, Gray 85, Early Dawn 122, Sugar Rose 127, Citrus 123, Clementine 138, Fuchsia 62, Green Curry 177, Sunlit 142, Grass 197, Dewdrop 143 and Brook 198.  There are two different sizes of Mod Flower Box. The wall/lap size is 51" square with borders. If you choose to not have borders for a smaller wall quilt, the inner part is 34 x 34". The large quilt sized 78" square, uses 4 units of the rotated Mod Flower Boxes. Depending on which quilt size you choose, the Mod Flower Box pattern can be made with a Charm Pack or Fat Eighths for the wall/lap size or with a Layer Cake (or 4 Charm Packs) or Fat Quarters for the large size.  I am planning on starting this lighter color version of Mod Flower Box, probably with a Washed Linen background or maybe Sandcastle 157 flipped to the backside and accent corners for curves in Blizzard 150. Speaking of colorways, this is actually one of my favorite things about this quilt design! You could create your own quilt top in almost any color scheme! For instance, you could use solid colors, different styles of fabric within a particular color palette, ombre fabrics, or simply your favorite colors. Color always gives me a new way to look at modern quilt designs. Needless to say, the color choices you have are absolutely endless!  I've made lots of quilts with curved corners and I DO include a paper template you can work from in the pattern (or pattern downloads if you buy the pdf file version). I do prefer to use a specialty ruler for doing curves and know of a number of them. I usually go to my trusty Creative Grids Circle Savvy Ruler since it has every size I want and I know I will get a really good result cutting with these! I note which slots in the pattern if you have this ruler too.  Since we are talking about curved corners, many beginner quilters stay away from modern quilts due to ''sewing curves''. I took this fact into consideration, so if you are new to curves, this is a great pattern to try since it only uses quarter circles vs half or full circles! Quarter circle curves are not very hard and I'd suggest making a practice quilt block or two first and then go for it! I love the look of curved blocks- so soft and curvy and gentle. They are a fun thing to experiment, plus, it will make you more confident in your quilting skills!  So, if you are ready to take a break from traditional quilts and want to create your very first modern style quilt, then the Mod Flower Box is a great place to start! Above I have included additional information on quilting materials and specifications. However, since this is only a blog post, I highly recommend that you check out my shop to learn more about this fun quilt pattern! If you are interested in the pattern, it is up in my shop at RobinPickensInc.com!   With Project Jelly Roll approaching, I decided to take a look at my Jelly Roll-friendly patterns to figure out what I am going to work on and perhaps share some ideas. One of my Jelly Roll patterns is Definite Plus.  My original Definite Plus quilt is made in Thatched basics. I loved playing with the color families and having a "ghost block" image in the center of just sashings and background. And I made this in both the large size on cream and the small size (using a Honey Bun or 1 1/2" strips) on Heather.  I wanted to see what this would look like made up in a Jelly Roll of print fabrics from a collection. I decided to make one that had no outer borders and no ghost block for the center. Full quarter log cabin blocks without an accent. If you make the large size without the outer border, it goes from being an 82" square quilt to 69 x 69", which makes a lovely large lap or can fit on a twin bed as a nice extra quilt.  How does this impact yardage and cutting? I have only made it this way in the Large size, so I don't have the specifications for the Small at this point. For Large quilt with no outer border and no ghosted center block or accent rectangles: Sashing: 1 2/3 Yards for sashing instead of 2 1/8 Yards. When you are cutting, you will cut a total of (56) WOF strips. (4) of those will be cut to 34 3/4" and joined end to end to make the long sashings horizontally between the rows. Instead of (44) 6 1/2 x 1" pieces, you will need (36). Background: You need 1 1/4 Yards for background instead of 3 Yards. You will only be cutting the centers of the Quarter Log Cabin blocks and need (36) of them.  For my print version, I decided to use Abby Rose for my strips. I made all my centers with Zen Chic Modern Paper for a pretty, romantic feel. My sashings are Moda Bella Off White 200. I still kept my groupings of 4 that make a plus sign in color families.  I like seeing the contrast of prints vs a more solid look for this quilt. I am very excited to try it again with upcoming lines and try other versions of background and sashing colors.   And just one more idea, since I'm playing around with it...what if the placement of colors were more improvisational and the background squares also had some pops of color? I decided to take a look in the suggestion of my Hygge Happy color theme direction (with Washed Linen, Toast, Cocoa, Sugar Rose, etc). What do you think? Playful or too random?  Looking for more Jelly Roll-friendly quilt patterns? Hop on over to my shop and check out Showering Stars, Ring Around the Posies, Equalizer, and Blockstep. And please join in the fun on September 18th 2021 as we sew those Jelly Rolls!  |
About ROBINDesigner of colorful florals and Thatched basics for Moda Fabrics . Modern to transitional quilt designer, cross stitch designer, sewist, crafter. I am proud to be a designer for Moda Fabrics!
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